Miss Sinquier followed him in.
The entrance hall bare but for a porphyry sarcophagus containing visiting cards, and a few stiff chairs, clung obviously to royal tradition still.
To right and left of the broad stairway two colossal battle-pictures, by Uccelli, were narrowly divided by a pedestalled recess in which a frowning bust of Mrs. Mary as Medusa was enshrined.
Miss Sinquier, following closely, was shown into a compartment whose windows faced the Park.
“Mrs. Mary has not yet risen from lunch,” the man said as he went away. “But she won’t be many minutes.”
Selecting herself a chair with a back suited to the occasion, Miss Sinquier prepared to wait.
It was an irregular planned, rather lofty room, connected by a wide arch with other rooms beyond. From the painted boiseries hung glowing Eastern carpets, on which warriors astride fleet-legged fantastic horses were seen to pursue wild animals, that fled helter-skelter through transparent thickets of may. A number of fragile French chairs formed a broken ring about a Louis XVI bed—all fretted, massive pillars of twisted, gilded wood—converted now to be a seat. Persian and Pesaro pottery conserving “eternal” grasses, fans of feathers, strange sea-shells, bits of Blue-John, blocks of malachite, morsels of coral, images of jade littered the guéridons and étagères. A portrait of Mrs. Mary, by Watts, was suspended above the chimney-place, from whence came the momentous ticking of a clock.
“The old girl’s lair, no doubt!” Miss Sinquier reflected, lifting her eyes towards a carved mythological ceiling describing the Zodiac and the Milky Way.
Tongue protruding, face upturned, it was something to mortify her for ever that Mrs. Mary, entering quietly, should so get her unawares.
“Look on your left.”