“Life is a compound,” she murmured again.

“Particularly for women!” the Authoress agreed.

“Ah, well,” the Ambassadress majestically rose: “I must be off and issue household orders; although I derive hardly my usual amount of enjoyment at present, I regret to say, from my morning consultations with the cook....”

XI

It had been once the whim, and was now the felicitous habit of the Countess of Tolga to present Count Cabinet annually with a bouquet of flowers. It was as if Venus-Anadyomene herself, standing[6] on a shell and wafted by all the piquant whispers of the town and court, would intrude upon the flattered exile (with her well-wired orchids, and malicious, soulless, laughter), to awaken delicate, pagan images, of a trecento, Tuscan Greece.

But upon this occasion desirous of introducing some new features, the Countess decided on presenting the fallen senator with a pannier of well-grown, early pears, a small “heath,” and the Erotic Poems bound in half calf with tasteful tooling of a Schoolboy Poet, cherishable chiefly, perhaps, for the vignette frontispiece of the author. Moreover, acting on an impulse she was never able afterwards to explain, she had invited Mademoiselle Olga Blumenghast to accompany her.

Never had summer shown a day more propitiously clement, than the afternoon in mid-Autumn they prepared to set out.

Fond of a compliment, when not too frankly racy,[7] and knowing how susceptible the exile was to clothes, the Countess had arrayed herself in a winter gown of kingfisher-tinted silk turning to turquoise, and stencilled in purple at the arms and neck with a crisp Greek-key design; while a voluminous violet veil, depending behind her to a point, half-concealed a tricorne turquoise toque from which arose a shaded lilac aigrette branching several ways.

“I shall probably die with heat, and of course it’s most unsuitable; but poor old man, he likes to recall the Capital!” the Countess panted, as, nursing heath, poems and pears, she followed Mademoiselle Olga Blumenghast blindly towards the shore.

Oars, and swaying drying nets, a skyline lost in sun, a few moored craft beneath the little rickety wooden pier awaiting choice:— “The boatmen, to-day, darling, seem all so ugly; let’s take a sailing-boat and go alone!”