b. This is a geometrical form of the palmette, frequently met with in modern Caucasian rugs.
c. This form of the palmette has an oblong central nucleus, surrounded by wreaths of leaves. To the right and left lancet-shaped leaves nearly encircle the whole. This design is most frequently seen in old Persian rugs.
d. In some old Persian rugs this form of the palmette with its diagonal projections is seen. It tends toward the geometrical, although its centre contains a small floral spray.
e. This palmette, with its two flanking lancet-shaped leaves, is frequently seen in modern Feraghan and Kurdistan rugs.
II. The Herati Border, or some form of it, may often be seen in Herat, Feraghan, Khorassan, Kurdistan, and Sinna rugs.

III. The central design is formed by eight valvular or four heart-shaped leaves. This form is often seen in Kirmanshah and Shiraz, and sometimes in Caucasian rugs.
IV. The Running Hook design found in the Daghestan, Shirvan, and Soumak rugs.
V. Pomegranate. The fruit is often depicted on ancient Assyrian and Egyptian sculptures. It had a religious significance in connection with several Oriental cults and was early introduced into rug designs.
VI. A palm leaf with regular contour, its centre containing a small floral design. This form of design is found in more or less detail in the rugs of Persia and India.