"I hope you will not think it an intrusion," she returned, a little breathlessly. "I wanted so much to see you and give you Aunt Madge's message. Somehow I could not bear to think that we were so happy and that you were sitting alone and feeling sad. Are you vexed with me for coming?" she continued, in her winning way; "I can see you are not a bit pleased to see me."

"My dear Mrs. Luttrell," he said, in his harsh, grating voice, "it is one of my bad days, and nothing on earth would yield me pleasure. I gave you warning, did I not? You are visiting a haunted man! The Christmas ghosts have been holding high revel this evening; one of them has been pointing and gibing at me for ever so long: 'You are reaping what you have sown,' that was what it said. 'Why do you grumble at your harvest—there is no ripening without sunshine? Young hearts must be won by love and not severity; it is your own fault, your own obstinacy, your own blindness'—that is what it has been saying over and over again."

He shivered slightly as he said this, and held out his thin hands to the blaze. He had not asked her to sit down, but Olivia drew a small chair forward and seated herself.

"Do not listen to them any longer," she said, gently. "You are ill and sad, and so everything looks black and hopeless—let me talk to you instead; I want to tell you how we have spent our day."

Olivia had a charming voice. As she went on with her simple narrative the muscles of Mr. Gaythorne's face insensibly relaxed; hesitation, nervousness, a touch of self-consciousness even, would have repelled him; but her gentleness and childlike directness seemed to soothe him in spite of himself. And as she repeated Mrs. Broderick's message, though he shrugged his shoulders and muttered "Pshaw," she could see that he was gratified; and even his remark—"that Mrs. Broderick must be a very emotional person"—did not daunt her.

"If Aunt Madge is emotional, I am too," she said, softly. "Do you know what I said when I saw that picture of the old shepherd looking at the rainbow? 'I love him for this,' and, dear Mr. Gaythorne, I meant it."

"Tut, nonsense!" but as Olivia took his hand and held it in her firm grasp, there was a sudden moisture in the old man's eyes.

"No one has loved me since my two Olives left me," he muttered. "If only one had been spared to me, only one; but I am left here alone with my sorrow and remorse."

"You are not really alone," she returned, soothingly. "Why do you speak as if your wife and daughter had ceased to love you? Do you imagine for one moment that they forget you? It would do you good to talk to Aunt Madge; she has such wonderful ideas about all that. Some people—people like Mrs. Tolman, our vicar's wife—laugh at her and call her fanciful, but to me she is so real. Why should it not be true?" she went on, with gathering excitement, "nothing that is good can die! Love is eternal, and it is only pain and grief and sin that can come to an end. That is what Aunt Madge says, and she does more than say it, she lives it. Of course she misses her husband dreadfully—they were everything to each other—but he never seems dead like other women's husbands, if you know what I mean by that. She seems to keep step with him somehow, and think his thoughts. I have heard her say once that it is just as though a high wall separated them. 'I cannot see him or hear him, but I know he is just the other side of the wall; only he has all the sunshine, and I have to grope alone in the shadows.'"

"Oh, she is right there; I know what it is to grope among shadows. My dear young lady," laying his hand heavily on her arm, "Mrs. Broderick must be a wonderful woman, and I hope to see her some day; and I am not above caring for a good woman's prayers, but our cases are not exactly similar."