"I am a lover of the picturesque," he would return solemnly, "and anything ugly or unsuitable would jar on me. I like subdued tints and mellow rich tones; that is why I bind my books in buff-coloured Russian calf. They harmonise so splendidly with the dark oak and the faded russet and brown and blue of the rug. Take my advice, Anna, cultivate your eye, and you will add much to the pleasures of life."

When Anna had inspected the latest engraving and tested the Chesterfield couch—a recent purchase—they went out on the balcony until tea was ready. A red-haired, buxom-looking maid brought it in.

It was evident that the mistress of the establishment was not without resources, for quite a pretty, tempting little meal was spread on the oval table. There was sponge-cake and shortbread, a dish of fruit, and delicious bread-and-butter. The beautiful teacups were Malcolm's own property, and had been picked up by him at a fabulous price in Wardour Street, and the little melon-shaped teapot had been a present from his mother. Verity always washed up these teacups herself. She said it was just for the pleasure of handling such lovely things, but in reality she knew Hepsy's clumsy fingers were not to be trusted.

Anna had only taken her place at the tea-tray, and was manipulating the curiously-shaped sugar-tongs rather carefully, when Malcolm looked at her a little searchingly. "Hurry up," he said severely; "how long do you suppose I am going to wait for your opinion of the Keston family?"

Then Anna, who had been vaguely alarmed by his judicial tone, filled up the teacups with a reassured air and in a leisurely manner. "You can hardly expect me to judge of any human being in five minutes," she answered with some show of reason.

"That sounds very plausible, my dear, but I can read you like print," and here Malcolm looked at her squarely. "You may as well confess, Anna, you are far more struck with Goliath than with poor little Verity."

Anna looked rather guilty; as usual, Malcolm's penetration had not deceived him. She had been most favourably impressed with the good-humoured giant, with his honest face and kindly blue eyes; but Verity, a brown slip of a girl with big solemn eyes, how was she to perjure herself by pretending that she was attracted by such a unique little piece of eccentricity.

"I wish she did not look so like a boy," she observed in a deprecating voice. But Malcolm took this remark in good part.

"Oh, you mean her hair," he replied coolly. "Oh, poor girl, that is the result of brain fever. She had the most wonderful hair you ever saw. When she let it down it quite swept the floor, and though it was so dark it had such splendid shades in it. Have you ever seen Keston's 'Leah and Rachel at the Well'?" Then, as Anna shook her head, "Well, Verity was his model for Leah. Leah is filling her pitcher and looking down into the well, so the eyes are hidden, but it is Verity's small brown face to the life. I always say that was his best picture. His Rachel was marvellous, but I liked Leah best; she was more human somehow, and those dark plaits of hair escaping from her turban were so beautiful. Poor little Leah! a month later they robbed her of her chief beauty by cutting off her hair. Old Goliath nearly sobbed as he told me."

Anna's face was full of sympathy. "Mr. Keston must be very fond of her," she returned in such a surprised and dubious tone that Malcolm laughed outright.