"If you sleep as well as you deserve—" she said; but he chose to misunderstand her.
"I should be hag-ridden and tormented, I fear."
"Oh no, you would have rosy visions of celestial bowers," returned Elizabeth merrily. "Now; Mike," to the little dachshund, "let us make tracks for the upper regions. Good-night, Cedric."
As Elizabeth paused at the foot of the staircase, Malcolm thought what a splendid subject she would make for a picture. The soft draperies gave her a queenly, aspect, and the white scarf that she still wore over her head lent her a mystic look; in her hand she carried a curious brass lamp of some antique design, and at her bosom were fastened, negligently, a great spray of crimson roses. "She looks like a St. Elizabeth in this dim lamplight," he thought. "Those red roses look like a dark stain on her breast. The figure, the turn of the head, is superb. If only Goliath could see her. Ah, now she has moved, and the illusion has gone—faded into thin air," and then Malcolm smiled at his own conceit and fancy as he took up his chamber candlestick.
CHAPTER XI
"A LITTLE EGOTISTICAL, PERHAPS"
We always like those who admire us, but do not always like those whom we admire.
—LA ROCHEFOUCAULD.
Trifles make perfection, and perfection is no trifle.
—MICHAEL ANGELO.
The bedrooms at the Wood House opened on a wide corridor which extended the whole length of the house. It was known by the name of the Red Gallery, probably from the great stained-glass window through which the sunset glow filtered on summer evenings, and reflected purple and crimson stains on the tessellated pavement of the hall below. By some odd coincidence, a figure of the Thuringian queen St. Elizabeth was the subject of the window. Something in the figure and the pose of the crowned head of the saint reminded Malcolm of Elizabeth Templeton; but the meek beauty of the upturned face resembled Dinah.