Before many days were over Polly had transferred a large portion of loving allegiance to Mildred herself. Women—that is, ladies—had not been very plentiful in her small circle. One or two of the artists' wives had been kind to her; but Polly, who was an aristocrat by nature, had rather rebelled against their want of refinement, and discovered flaws which showed that, young as she was, she had plenty of discernment.
'Mrs. Rogers was noisy, and showed all her teeth when she laughed, and tramped as she walked—in this way;' and Polly brought a very slender foot to prove the argument. And Mrs. Hornby? Oh, she did not care for Mrs. Hornby much—'she thought of nothing but smart dresses, and dining at the restaurant, and she used such funny words—that men use, you know. Papa never cared for me to be with her much; but he liked Mrs. Rogers, though she fidgeted him dreadfully.'
Mildred listened, amused and interested, to the girl's prattle. The young creature on the stool at her feet was conversant with a life of which she knew nothing, except from books. Polly would chatter for hours together of picture-galleries and museums, and little feasts set out in illuminated gardens, and of great lonely churches with swinging lamps, and little tawdry shrines. Monks and nuns came familiarly into her reminiscences. She had had gateau and cherries in a convent-garden once, and had swung among apple-blossoms in an orchard belonging to one.
'I used to think I should like to be a nun once,' prattled Polly, 'and wear a great white flapping cap, as they did in Belgium. Sœur Marie used to be so kind. I shall never forget that long, straight lime-walk, where the girls used to take their recreation, or sit under the cherry-trees with their lace-work, while Sœur Marie read the lives of the saints. Do you like reading the lives of the saints, Aunt Milly? I don't. They are glorious, of course; but it pains me to know how uncomfortable they made themselves.'
'I do not think I have ever read any, Polly.'
'Have you not?'—with a surprised arching of the brows. 'Sœur Marie thought them the finest books in the world. She used to tell me stories of many of them; and her face would flush and her eyes grow so bright, I used to think she was a saint herself.'
Mildred rarely interrupted the girl's narratives; but little bits haunted her now and then, and lingered in her memory with tender persistence. What sober prose her life seemed in contrast to that of this fourteen-years' old girl! How bare and empty seemed her niche compared to Polly's series of pictures! How clearly Mildred could see it all! The wandering artist-life, in search of the beautiful, poverty oppressing the mind less sadly when refreshed by novel scenes of interest; the grave, taciturn Philip Ellison, banishing himself and his pride in a self-chosen exile, and training his motherless child to the same exclusiveness.
The few humble friends, grouped under the same roof, and sharing the same obscurity; stretching out the right hand of fellowship, which was grasped, not cordially, but with a certain protest, the little room which Polly described so graphically being a less favourite resort than the one where Dad Fabian was painting his Tobit.
'It was only after papa got so ill that Mrs. Rogers would bring up her work and sit with us. Papa did not like it much; but he was so heavy that I could not lift him alone, and, noisy as she was, she knew how to cheer him up. Dad suited papa best: they used to talk so beautifully together. You have no idea how Dad can talk, and how clever he is. Papa used to say he was one of nature's gentlemen. His father was only a working man, you know;' and Polly drew herself up with a gesture Mildred had noticed before, and which was to draw upon her later the soubriquet of 'the princess.'
'I think none the less of him for that,' returned Mildred, with gentle reproof.