'I wish I could—I wish I dare try,' he returned, in an odd, choked voice. 'Let us go to your favourite seat, Ethel; the sun has not set yet.'
'It has set for me to-night,' she replied, mournfully.
The creeping mists winding round the blue bases of the far-off hills suited her better, she thought. She followed Richard mechanically into the quaint kitchen garden; there was a broad terrace-walk, with a seat placed so as to command the distant view; great bushes of cabbage-roses and southernwood scented the air; gilly-flowers, and sweet-williams, and old-fashioned stocks bloomed in the borders; below them the garden sloped steeply to the crofts, and beyond lay the circling hills. In the distance they could hear the faint pealing of the curfew bell, and the bleating of the flocks in the crofts.
Ethel drew a deep sigh; the sweet calmness of the scene seemed to soothe her.
'You were right to bring me here,' she said at last, gratefully.
'I have brought you here—because I want to speak to you,' returned Richard, with the same curious break in his voice.
His temples were beating still, but he was calm, strangely calm, he remembered afterwards. How did it happen? were the words his own or another's? How did it come that she was shrinking away from him with that startled look in her eyes, and that he was speaking in that low, passionate voice? Was it this he meant when he called her Ethel?
'No, no! say you do not mean it, Richard! Oh, Richard, Richard!' her voice rising into a perfect cry of pain. What, must she lose him too?
'Dear, how can I say it? I have always meant to tell you—always; it is not my fault that I have loved you, Ethel; the love has grown up and become a part of myself ever since we were children together!'
'Does Mildred—does any one know?' she asked, and a vivid crimson mantled in her pale cheeks as she asked the question.