He was a very handsome man, and still young enough to find favour in a girl's sight, and his wealth made him a grand parti in the parents' eyes. At present he had bestowed equal attention on Sara and Lesbia, though close observers might have noticed that he lingered longest by Sara's side.
'How do you do, Colonel Ferguson?' said Sara, nodding to him in her bright, unconcerned way, as she finished her valse. 'Mother is over there talking to Fräulein: you will find your coffee ready for you.' And her glossy little head bent over the keys again, while the lazy music trickled through her fingers. Though Colonel Ferguson did as he was told, I fancied he would keep a close watch over the young performer.
The inner drawing-room had heavy velvet hangings that closed over the archway; on cold evenings the curtains would be drawn rather closely; there would be a bright fire, and a single lamp lighted. Very often Uncle Brian would retire with his book or paper when Sara's valses wearied him or the room filled with young officers. Since Ralph's death he had certainly become rather taciturn and unsociable. Aunt Philippa, who loved gaiety, never accompanied him, but now and then Jill would creep from her corner, when her mother was not looking, and slip behind the ruby curtains. I have caught her there sometimes sitting on the rug, with her rough head against her father's knee; they would both of them look a little shamefaced, as if they were guilty of some fault.
'Go to bed, Jill; it is time for little girls to be asleep,' he would say, patting her cheek. Jill would nestle it on his coat-sleeve for a moment, as she obeyed him. Her father had the softest place in her heart. She always would have it that her mother was hard on her, but she never complained of want of kindness from her father.
'Colonel Ferguson comes very often,' remarked Lesbia, a little peevishly, as she walked to the fireplace to warm herself: she was a chilly being, and loved warmth. 'His name is Donald, is it not? some one told me so: Donald Ferguson. Well, he is not bad; he may do for Sara. She has plenty of quicksilver to balance his gravity.'
I was rather surprised at this beginning; but without waiting for any answer, she went on.
'What is this Mr. Cunliffe tells me?' she asked, fixing her blue eyes on my face with marked interest. 'You are going to carry out your old scheme, Ursula, about nursing poor people and singing to them. He tells me you have chosen Heathfield for your future home, and that he is to find you lodgings. Sit down, dear, and tell me all about it,' she went on eagerly. 'I thought you had given up all that when—when—' but here she stopped and her lips trembled; of course she meant when Charlie died, but she rarely spoke his name. I would not let her see my astonishment,—she had never seemed so sisterly before,—but I took the seat close to her and talked to her as openly as though she were Jill or Uncle Max; now and then I paused, and we could hear Colonel Ferguson's deep voice: he was evidently turning over the pages of Sara's music.
'Go on, Ursula; I like to hear it,' Lesbia would say when I hesitated; she was not looking at me, but at the fire, with her cheek supported against her hand.
'What do you think of it?' I asked, presently, when I had finished and we had both been silent a few minutes listening to one of Mendelssohn's Songs without Words that Sara was playing very nicely.
'What do I think of it?' she replied, and her voice startled me, it was so full of pain. 'Oh, Ursula, I think you are to be envied! If I could only come with you and work too!—but there is mother, she could not do without me, and so we must just go on in the same old way.'