Cecil had a high opinion of Tremayne, and in 1569 showed his faith in Tremayne's judgment by sending him to Ireland, to sift the terrible but conflicting stories of its miseries and rebellions, and 'to let him know quietly the real condition of the country.' Tremayne, to begin with, wrote hopefully of remedies for all that was wrong, but after a year's study and experience realized that the trouble lay deeper than he had at first understood. Nevertheless, some notes on the state of Ireland by Edward Tremayne are endorsed by Lord Burghley 'A good advice.' The Queen showed her confidence by entrusting to him (in 1580) a very delicate task. The treasure that Drake brought home in the Pelican had to be registered; the examination must be made before some public officer, but the Queen feared that it might be necessary to make restitution to Spain, and, not objecting to a little crooked dealing, was very anxious that the total amount of the booty should never be made known. In obedience to the instructions he received from her, Tremayne writes to Walsingham: 'I have at no time entered into the account, to know more of the very value of the treasure than he made me acquainted with. And to say the truth, I persuaded him to impart to me no more than need, for so I saw him commanded in her Majesty's behalf, that he should reveal the certainly to no man living.' Here follows a fine tribute to Drake's unselfishness: 'And withal, I must say, as I find by apparent demonstration, he is so inclined to advance the value to be delivered to her Majesty and seeking in general to recompense all men that have been in this case dealers with him, as I dare take an oath with him, he will rather diminish his own portion than leave any of them unsatisfied.'
Edmund Tremayne, of a later generation, faithfully served his King in the troubled times of the Civil Wars, 'and was several hundred pounds deep in their books, at Haberdashers' Hall, for his loyalty. He is also stated to have repaid a considerable portion of the money borrowed for the necessities of the Queen during her sojourn at Exeter, at the time of the birth of the Princess Henrietta. Later he was imprisoned and his goods were sequestrated.'
A very treasured possession in the family is the 'tongue token,' believed to have originally belonged to this Edmund Tremayne. These tokens, small enough to put under the tongue in case of need, were given to the bearers of messages from those of high rank or importance, as a proof of the genuineness of the bearer, where there was too much danger to risk a written word. This token is a tiny oval of gold, with the head of King Charles on one side and his initials on the other. Edmund Tremayne is supposed to have received this token when he carried the news of the Princess's birth from Exeter to the King at Oxford.
Mr Tremayne's grandson, Edmund, married Arabella, the daughter and heiress of Sir Edward Wise, who brought Sydenham to the Tremaynes. Various traces of the Wises remain, among them a portrait of a golden-haired Lady Wise. She is painted wearing a white satin dress, an immense Vandyck collar, and many ornaments. Among her possessions was a magnificent set of 'horse furniture,' made, it is supposed, for some state occasion when she rode with her husband in the year (1633) that he was High Sheriff. It is of very fine and rich crimson velvet, arranged to fit over the pommels of the saddle and hang down on either side. The furniture includes an imposing red velvet stirrup, and both this and the saddle-cloth are elaborately and beautifully worked with silver embroidery, and hung with silver tassels to match; and a piece of velvet that lay over the crupper is thickly strewn with delicate little silver cockle-shells.
About fourteen miles north-east of Exeter, in the valley of the Culm, stands Bradfield; an avenue of cedars leads up to the house, which is an Elizabethan one in a very perfect condition. The banqueting-hall is panelled throughout, and its fine carved roof is supported by elaborately carved and pierced hammer-beams. High at one end is the minstrels' gallery, and at the other is a latticed window, which opened on to a corridor, and is said to have been used by the lady of the house, who could see from it anything that might be happening in the hall. A high arch on one side of the hall divides a small panelled room, where the guests gathered before dinner. The arch is of white stone, and little blocks, each bearing a shield or flower, are set at intervals on the mouldings.
The music-room is panelled, and above the panels are hangings of Spanish leather covered with graceful designs. The fireplace and very interesting 'porch' projecting into the room look like late Italian Renaissance work, though, from the dresses of the carved figures on them, they are supposed to have been actually made in England. The porch is richly carved and painted, and slender strips of very light wood are inlaid amongst a mass of ornamental details. The figures seem more than a little incongruous to each other. On one panel are Adam and Eve with the Tree of Knowledge between them, and above appear ladies and gentlemen of the court of Queen Elizabeth—little coloured figures, standing well out from the backs of their niches.
Bradfield
The fireplace is very elaborately carved and painted, and here, too, are figures in curious juxtaposition surrounded by very rich decorations. Amongst others may be seen a farmer and his wife, a cook, with a large goose that she is about to kill, and a dairymaid, with a miniature cow in her arms. High above these are the sons and daughters of Jesse in splendid robes and crowns.
Bradfield, in ancient days Bradefelle, was once held by a family of that name. The deed that carried it to the Walronds is not dated, but a marginal note says that 'Fulke Paynel' was dead in 1 Henry III. The deed runs as follows: