To the west the town looks over a space of comparatively flat country, but on the north-west it is overshadowed by St. Cyres Hill, and farther north is the bold height of Dumpdon. On the top of this hill are the remains of an oval camp, and a few miles away to the north-west is the better-known camp called Hembury Fort. The fort stands very high, and looks south to the sea beyond the Vale of the Otter, and west to Haldon and the fringes of Dartmoor over Exeter. Three ramparts surround the fort, which covers a large space of ground, and it is 'divided into two parts by a double agger.... Several Roman coins, and an iron "lar" representing a female figure three inches high, have been found here.'

A great Roman road passes by Honiton. The Fosseway ran from Caithness to Totnes (according to some authorities, on into Cornwall), and crossed the country between Exeter or Seaton and Lincolnshire. It is thought that the Romans, in making their famous roads, usually followed the line of still older British ways.

In coaching days Honiton was well known as a stage for changing horses. Gay, who was a Devonshire man, a native of Barnstaple, says in his Journey to Exeter, 1716, from London:

'Now from the steep, 'midst scatter'd farms and groves,
Our eye through Honiton's fair valley roves;
Behind us soon the busy town we leave,
Where finest lace industrious lasses weave.'

Here the poet mentions the one characteristic of the town known to strangers—the lace-making. When or how it was first started is not exactly known, but there is a theory that certain Flemings, escaping to England from the persecutions of the Duke of Alva, settled near Honiton and introduced the art towards the end of the sixteenth century. The evidence is too slender to prove that this was so, but there is no doubt that by the beginning of the next century the industry was well established, for in the Church of St Michael is a memorial brass plate recording that

James Rodge of Honiton
in ye County of Devonshire (Bonelace Siller)
Hath given unto the Poore of Honinton P'ishe
The Benefytt of £100 for ever.
Who deceased ye 27 of July A'o. Di. 1617. Ætate suæ 50.
Remember ye poore.

So it is obvious that before 1617 there must have been enough lace to dispose of to make the sale of it profitable.

About forty years later Fuller wrote a spirited defence of lace-making on economic grounds. It was then 'made in and about Honyton, and weekly returned to London.' He says: 'Though private persons pay for it, it stands the state in nothing.... Many lame in their limbs and impotent in their arms, if able in their fingers, gain a livelyhood thereby, not to say that it saveth some thousand of pounds yearly, formerly sent over seas to fetch Lace from Flanders.' At this time the lace trade flourished greatly, although there was always a difficulty in competing with Belgium, because of the superiority of its silky flax, finer than any spun in England. Later the workers fell on evil days, for during the American War there was little money to spend on luxuries; and, besides, about this time the fashion of wearing much lace came to an end. In 1816 the introduction of 'machine net' supplanted the vrai réseau, the groundwork of the lace made by hand, and this took away work from very many people, besides lowering prices, so that the workers became discouraged, and the quality as well as the quantity of the lace suffered much in consequence. Queen Adelaide tried to stimulate the dwindling trade by ordering a lace dress, every flower in which was to be copied from Nature. The initials of the flowers chosen spelt her name: