Devon, Its Moorlands, Streams and Coasts

by Rosalind Northcote

'So shuts the marigold her leaves
At the departure of the sun;
So from the honeysuckle sheaves
The bee goes when the day is done;
So sits the turtle when she is but one,
And so all woe, as I, since she is gone.'

A deliciously whimsical touch marks his description of a feast of Oberon:

'The glasses, pure and thinner than we can
See from the sea-betroth'd Venetian,
Were all of ice, not made to overlast
One supper, and betwixt two cowslips cast.
A prettier hath not yet been told,
So neat the glass was, and so feat the mould.
A little spruce elf then (just of the set
Of the French dancer or such marionette),
Clad in a suit of rush, woven like a mat,
A monkshood flow'r then serving for a hat;
Under a cloak made of the Spider's loom:
This fairy (with them, held a lusty groom)
Brought in his bottles; neater were there none;
And every bottle was a cherry-stone,
To each a seed pearl served for a screw,
And most of them were fill'd with early dew.'

Now and again in his verses there peeps out a joyful pride in his county, and his love of the Tavy is deep to his heart's core.

Some way below Tavistock is Buckland Abbey, founded by Amicia, Countess of Devon, in 1278, and for long years the home of Cistercians. At the Dissolution the Abbey was granted for a small sum to Sir Richard Grenville (grandfather of the hero of the Revenge), who altered it into a dwelling-house. Sir Richard, his grandson, sold it to John Hele and Christopher Harrys, who were probably acting for Sir Francis Drake, and he formally bought it of them ten months later. The house was built in the body of the church, and it is still easy to trace its ecclesiastical origin from some of the windows and architecture. In the hall is a fine frieze, with raised figures in high relief and an elaborate background, the subject a knight turned hermit. The knight, wearing a hermit's robe, is sitting beneath spreading boughs, and a skull is lodged in a hollow of the tree-trunk. His charger and his discarded armour lie near him. In the same hall rests the famous drum that went round the world with Drake, the drum referred to in the traditional promise that Mr Newbolt has put into verse:

'Take my drum to England, hang it by the shore;
Strike it when the powder's running low;
If the Dons sight Devon, I'll quit the port of Heaven,
An' drum them up the Channel, as we drummed them long ago.'

A short distance below the Abbey, the Tavy, now broadened into a wide but still shallow stream, ripples and hurries over the pebbles in a deep valley between wooded hills. Returning to Tavistock and going up the river, one arrives at the pretty and very remote village of Peter Tavy. The houses are scattered about in an irregular group, a stream runs through them to join the Tavy, and just above the wide bridge the brook divides, flowing each side of a diamond-shaped patch, green with long grass and cabbages. A steep slope leads up to the little church, which stands back, and a tiny avenue of limes leads up to it from the lichgate. The tower is battlemented, and the church must have been partly rebuilt, for parts of it are early English and the rest late Perpendicular. Within are slender clustered columns, supporting wide arches, and different designs are sculptured on the sides of the granite font.

Close by is a glen, which Mrs Bray says, 'I have ventured to name the Valley of Waterfalls, on account of the vast number of small but exquisitely beautiful falls seen there.' A narrow lane with high hedges leads round the shoulder of the hill to the steep little valley, where the Tavy jostles against obstructive boulders, and a high, narrow, unstable-looking bridge of tarred timber (sometimes called a 'clam' bridge) crosses the stream. Climbing up on the farther side, the road soon reaches the village of Mary Tavy. In reference to these villages a very old joke is told of a Judge unacquainted with these parts who, in trying a case, not unnaturally confused the names with those of witnesses, and ordered that Peter and Mary Tavy be brought into court. Mary Tavy has not the unusual attractiveness of Peter Tavy. It looks barer, and is overshadowed by that peculiarly comfortless air always given by chimneys or machinery of mines. The church stands above the road, and beside it a large old tree, whose lower branches are so abundantly covered with polypody that the fronds hang like long fringes from either side of each branch. The porch has a white groined ceiling, crossed with fragments of the old timber roof, on which are bosses carved in different designs.

From Mary Tavy a road runs nearly parallel to the river. Beyond Horndon the houses are fewer and more scattered, and somehow there is a suggestion that one is coming nearer and nearer to the verge of civilization. The few houses look nice in themselves, with the exception of a farm, so cheerless and neglected-looking, that it was a surprise to find it inhabited; and not far beyond this house the road reaches another and very different farm, looking full of comfort—and goes no farther. This farm has the significant name of Lane End, and one realizes from its solitary, exposed position that the high and substantial wall surrounding it was built for sound reasons. It stands on the moor, and the cultivation is of the roughest kind; the fields, such as they are, being plentifully sprinkled with huge boulders. In winter, when there is much fear of snow, these fields serve as an enclosure for the ponies that are driven-in off the moor—looking like wild animals in their long, hanging, furry coats. The river is heard dashing over the rocks below, and about a mile farther on is Tavy Cleave.

The last time I saw it a vague threat hung over everything, adding a cold fascination to the moor. The hills showed tints of faint green and palest brown, and patches of bracken gave a consoling shade of russet. Hare Tor rose beyond, silent and impressive, covered with snow. The Tavy had a new beauty, for it was almost frozen over, and the dark water, and along whirling scraps of foam, showed between the blocks of ice and snow, and the boulders were each bordered with shining white. The sky was heavy with snow-clouds, and beneath them and in the rifts were stormy red sunset tints, while a cold blue-grey mist was creeping up the valley.