Jennifer singing Neapolitan folk-songs to a be-ribboned guitar. Where she had picked up the airs, the language, the grace and fascination of her manner, no one knew. But when she sat by the window with bright streamers falling over her lap, singing low to her soft accompaniment, then, each time, everyone fell madly in love with her.

Jennifer chattering most when she was tired, or depressed, her words tripping over each other, her absurd wit sparkling, her laugh frequent and excited: so silent, so still when she was happy that she seemed hypnotized, her whole consciousness suspended to allow the happiness to flow in.

Jennifer looking shattered, tortured after a few hours spent by mistake over coachings and time-papers in stuffy rooms; starting up in the end with a muttered: “O God, this place!...” wrenching open the door and rushing downstairs, oblivious of all but the urgency of her mood. From the window you could see her in the grounds, running, running. Soon the trees hid her. She was tramping over the ploughed fields, her cheeks glowing, her hair like a light against the dark hedges. She was going, alone, tensely, over the long fields. What was she thinking of? She had her evasions. No good to ask her: her eyes would fly off, hiding from you. She would not let herself be known entirely.

By Judith’s shadowy side ran the hurrying flame of Jennifer; and from all that might give her pause, or cloud her for a moment Jennifer fled as if she were afraid.

The lonely midnight clouded her. Jennifer was afraid of the dark.

Was it that people had the day and the night in them, mixed in varying quantities? Jennifer had the strength of day, and you the strength of night. By day, your little glow was merged in her radiance; but the night was stronger, and overcame her. You were stronger than Jennifer in spite of the burning life in her. The light hid the things for which you searched, but the darkness and the silence revealed them. All your significant experiences had been of the night. And there, it was suddenly clear, was the secret of the bond with Roddy. He too had more shadow in him than sun. “Chevalier de la lune” that was he—“Que la lumiere importune”—ah! yes! “Qui cherche le coin noir”—yes, yes—“Qui cherche le coin noir.” Some time—it did not matter when, for it was bound to happen—he would say in the dark “I love you.”

Meanwhile there was Jennifer to be loved with a bitter maternal love, because she was afraid. And because, some day, she might be gone. For Jennifer said “I love you” and fled away. You cried “Come back!” and she heard and returned in anguish, clasping you close but dreading your dependence. One day when you most needed her, she might run away out of earshot, and never come back.

But there was value in impermanence, in insecurity; it meant an ache and quickening, a perpetual birth; it meant you could never drift into complacence and acceptance and grow old.

There was Mabel, drifting into Judith’s life when conscience pricked and being joyfully dismissed again when the exigencies of duty seemed satisfied. There were little notes from Mabel found, with a sinking feeling, among her letters.

Dear J.,