"I hearn," he said. His young face was so grey and solemn that Bernique regarded him questioningly. "I was simlike half asleep up there in the bushes. Whend you begand to tell your story, I waked up an' I listened. I hearn all you said an' all he said. Ev'thing. Unc' Bernique, you cayn't tell nobody! Mist' Steerin', he cayn't tell nobody!—but Me!" the boy was breathing harder, his face was growing greyer, "Unc' Bernique, I'm f'm the hills, an' not like them," the blood began suddenly to come back to his lips; he raised in his stirrups and slashed at the branches of a black-jack tree with his riding switch, as though he cut a vow across the air, high up. "But what I can, I will!" he cried, and clenched his hands proudly. "Fer her an'—an' fer him!" he choked. Whatever he meant to do, his young passion for Salome Madeira and his young affection for Steering, his hero, leaped out on his face whitely. "She loves him, too, Unc' Bernique!" he cried in a final, broken crescendo.
Old Bernique stared at the boy in exaltation. "God above!" he shouted, "if that is it, it begins to be hope in my old breast! All may come right yet, and no oaths broken!"
"None broke!" cried Piney. "One more took! I'm a-ridin' saouth, to Madeira Place, Unc' Bernique;" he gathered up the reins from his pony's neck,—"I'm a-goin' to Miss Sally Madeira to tell her abaout Mist' Steerin';" he was blind with hot, young tears. "She'll do the rat thing whend she knows, Unc' Bernique;" he had put the pony about,—"I'll see you on the hills in the mornin'!" he was gone down the yellow road like a winged Mercury.
On the hills behind him, Old Bernique, comprehending and envying, locked his hands on his saddle-horn in a vehement tension. His lips moved, and what he said seemed to float out after the flying figure of the boy like a benediction.
Chapter Fifteen
A MISTAKE SOMEWHERE
The afternoon of that day was golden out at Madeira Place. Through the kitchen windows the sun streamed in, in broad, unfretted bands of light. Just beyond the window the crab-apple trees and the quince trees and the pear trees and the damson trees were rioting in blossom.
The kitchen itself was a place to take comfort in. By a table sat fat black Chloe, seeding raisins, when she was not asleep. Before another table stood Sally Madeira, her brown, round arms bared to the elbow, flapping cake batter with a wooden paddle. With her sense of eternal fitness the girl was a fine housekeeper as easily as she was a sweet singer and a good horsewoman. She had kept the past beautifully intact in the old brick-floored room. Overhead hung strings of red peppers, streaks of scarlet on the heavy black rafters. Little white sacks of dried things, peas and beans and apples, depended from hooks. Against the walls were quaint old tin safes, their doors gone, their shelves covered with dark blue crockery. The tin and brass stuff shone brightly. On a low shelf stood a great piggin of water, a fat yellow drinking gourd sticking out of it. The whole picture was a kitchen pastel, delicately toned, a kitchen of the long ago, Sally Madeira fitting into it exquisitely, re-establishing the stately domesticity of an old régime by her fine adaptability and appreciation.