"On a stand in the curious old hotel in Stockbridge is a charred chunk of an oaken house-beam that is as carefully treasured as if it were of gold; and every guest strolling through the parlor wherein it is shown halts and gazes at it with a singular interest. A placard pinned to the cinder explains in these words why it is treasured and why the people gaze at it: 'Relic from the Hawthorne Cottage.' The Hawthorne Cottage stood half a mile out of Stockbridge on the road to Lenox. It was burned two months ago. It was a little red story-and-a-half house on a lonely farm, and an old farmer, himself somewhat of a bookworm, dwelt in it with his family at the time it mysteriously took fire. The cottage was a landmark, because Nathaniel Hawthorne dwelt therein in 1850 and 1851 for a year and a half. A great many people go out to see the ruins of it.
"Drive along a lonely winding road through a homely New England district several hundred yards west of the pretentious mansions of Stockbridge, pass through a breezy open patch of pines, and one comes to a characteristic hillside New England orchard, the branches of whose trees just now are bright with ripening red apples. On the hillslope in the middle of the orchard and overlooking the famous 'Stockbridge Bowl'—a round deep tarn among the hills—are the brick cellar walls and brick underpinning of what was a very humble dwelling—the Hawthorne Cottage. About the ruins is a quiet, modest, New England neighborhood. There is not much to see at the site of the Hawthorne Cottage, yet every day fashionable folk from New York and Boston and a score of western cities drive thither with fine equipages and jingling harness, halt, and look curiously for a minute or two at the green turf of the dooryard and the crumbling brick walls of the cottage site."
To go from Salem to Lenox was to contrast very forcibly the somewhat oppressed spirits of historical association with the healthy grandeur of nature. The books my father wrote here embrace this joy of untheoried, peaceful, or gloriously perturbed life of sky and land. Theory of plot or principle was as much beneath him as the cobble-stones; from self-righteous harangues he turned as one who had heard a divine voice that alone deserved to declare. He taught as Nature does, always leading to thoughts of something higher than the dictum of men, and nobler than their greatest beauty of action. He said it was difficult for him to write in the presence of such a view as the "little red house" commanded. It certainly must have been a scene that expressed otherwise unutterable sublimity. But if my father struggled to bring his human power forward in the presence of an outlook that so reminded him of God, he did bring it forward there, and we perceive the aroma and the color which his work could not have gained so well in a town or a village covert.
Mrs. Hawthorne's letters, written for the pleasure of her family, in spite of her growing cares, continue to be a source of intelligence to us:—
MY DEAR LIZZIE,—I have just received your letter, for which I am very glad. You say that mother may come to-night. I truly hope she will. But as the heavy fog we had here this morning may have been a rain in Boston, I write now, to request father to go to Oak Hall, or to some ready-made linen-store, and buy Mr. Hawthorne two linen sacks, well made, and good linen. He is a perfect bunch of rags, and he will not let me make him anything to wear—absolutely will not. But he consents that something shall be bought. If mother should be delayed beyond Monday, this can be done; otherwise it cannot.
I am very sorry about the little books; but I do not see any help. Ticknor & Co. were going to have illustrations drawn for them, and Mr. Hawthorne thinks they are begun, that money has been expended, and that it is too late to change the plan. He says, he is bound by his engagement, and cannot recede; but that if you can change their purposes independently of him,—if they are willing, he is. Mr. Fields has not said a word about the Fairy Tales, and I do not know whether Mr. H. intends to write them now. I never ask him what he is about. But I know he is not writing seriously this hot weather. God bless you all,
SOPHIECHEN.
Sunday.
MY DEAR MOTHER,—'This has been a dull "heaven's day" for the children, who have not been so merry as on a sunny day. I have read to them, and shown them my drawings of Flaxman's Iliad and Odysse and Hesiod. I wish you could have seen them the other day, acting Giant Despair and Mrs. Diffidence. They were sitting on chairs opposite the doorsteps; Julian with one little leg over the other, in a nonchalant attitude; Una also in negligent position. They were discussing their prisoners, Hopeful and Christian, in very gruff and unamiable voices. "Well, what had we better do with them?" "Oh, beat them pretty well, every day!" The air of the two figures, and their tones, in comparison with the faces and forms, were very funny. I heard Una telling Julian that Christian's bundle was a "bunch of naughtiness." Julian became Columbus all at once, on Friday, and ran in from out of doors to get some blocks to build a cross on the island which he had discovered. He said, "Where is my sword to hold in my hand when I get out of my ship?" [He was between four and five years old.]
Sunday, 20th.