Memories of Hawthorne

by Rose Hawthorne Lathrop

DEAR E.,—I read your manuscript Abolition pamphlet, supposing it to be a new production, and only discovered afterwards that it was the one I had sent back. Upon my word, it is not very good; not worthy of being sent three times across the ocean; not so good as I supposed you would always write, on a subject in which your mind and heart were interested. However, since you make a point of it, I will give it to Sophia, and will tell her all about its rejection and return.

Pictures of Leamington and its vicinity were sent home, as follows:—

No. 10 LANSDOWNE CIRCUS, LEAMINGTON, WARWICKSHIRE, September 9, 1857.

MY DEAR ELIZABETH,—Do not suppose that we are among horses, mountebanks, and clowns by my date. On the contrary, we are in a charming little paradise of gardens, with a park in the centre, towards which all these gardens converge. It is such a paradise as the English only know how to make out of any given flat bit of land. Fancy a circle of houses at the end of a street. They are white stucco houses, with balconies leading out of the drawing-rooms, in which to sit and enjoy the gardens, made up of sunny green lawns, bright rainbow flowers, and dark green shrubbery and trees. The park is full of lovely trees and evergreens, with lawns and gravel-walks. We are in profound quiet. Nothing but a bird's note ever breaks our stillness. The air is full of mignonette, roses, and wallflowers. It is autumn; but the grass and foliage are like those of early spring or summer.

In Manchester, which we have lately visited, I found that the foul air of the manufactories made me cough more, and the moment Mr. Hawthorne perceived it, he decided to come away. Nothing but the Palace of Art would ever have made us think of being one hour in such a nasty old ugly place. I could never be weary of looking at some of the masterpieces, to the end of my clays. I should think the Good Shepherd would convert the Jew, Baron L. R., to Christianity; for it is his. No words can possibly do justice to that, or to the Madonna in Glory. . . .

September 12. To-day we went to Kenilworth. There was not blue sky enough to encourage Mr. Hawthorne at first; but at eleven o'clock we set forth in very good sunshine, and delicious air. By a short turn out of our Circus we came into a street called Regent's Grove, on account of a lovely promenade between noble trees for a very long-distance, almost to the railroad station; and Una and I walked that way, leaving Mr. Hawthorne and Julian to follow, as we wished to saunter. They overtook us, having gone down the Parade, which is the principal street, containing hotels and shops; and it crosses at right angles Warwick Street, which reaches for several miles, until it arrives at Warwick Castle itself.

The bright greens of England seem to be lined with gold; and in the autumn, the leaves merely turn their golden linings.

The approach to the domain of Kenilworth is through roads with trees, winding along, and also across a narrow river, which we should call a brook, glimpses of the castle towers appearing at every turn.

The grass was very wet, and I had no india-rubbers, and Mr. Hawthorne went off with Una to buy me some, being resolved to make them, I believe, if he could not find any in the only shop not explored, for we had already tried for them. He returned with the only pair in Kenilworth that would fit me—and the last pair the shopman had left in his box. . . . The ivy, after climbing up the sides of the Castle in a diffusive embrace, reaches the crumbling battlements; and to conceal the gnawing teeth of time there, it rises into perfect trees, full and round, where it does not find it lovelier to trail over and hang in festoons and wreaths and tassels. Ivy and time contend for the mastery, and have a drawn battle of it. Enormous hawthorn-trees, large as our largest horse-chestnuts, also abound around the Castle, and are now made rich and brilliant with scarlet haws. Mr. Hawthorne and I were filled with amazement at their size. Instead of the rich silk hangings which graced the walls when Elizabeth entered the banqueting-room, now waved the long wreaths of ivy, and instead of gold borders, was sunshine, and for music and revel—SILENCE— profound, not even a breeze breaking it. For we had again one of those brooding, still days which we have so often been fortunate enough to have among ruined castles and abbeys. Bare stone seats are still left around Elizabeth's boudoir, upon which, when softly cushioned with gold, she sat, and saw a fair prospect. The park and chase extended twenty miles!

Nothing but music can ever equal or surpass architecture in variety of utterance. Music is poetry to the ear, architecture to the eye, and poetry is music and architecture to the soul, for it can reproduce both. Music, however, seems to be freer from all shackles than any other art; and I remember that in one of my essays for Margaret Fuller, I made it out to my own satisfaction to be the apex of expression. The old Glasgow verger of whom I wrote you had not got so far as to see that it needed the "Kist of Whistles," as he called the organ, to make his beloved Cathedral soar and glow with life and praise to its utmost capacity. But I cannot say that it does not sing, even without a sound, in its immortal curves, as Ruskin calls those curves that return in no conceivable time or space. Cathedrals sing, and they also pray, with pointed arches for folded hands. Julian liked these ruins better than any he had seen, he said; and he climbed up on the dismantled turret of Leicester's buildings, and settled himself among the ivy like some rare bird with wonderful eyes. His hair had grown very long, and clustered round his head in hyacinthine fashion, and I think my lord would have been glad to call him his princely boy. [Such things he never allowed himself to say.] All the princeliness that lies in clustering curls Julian has lost to-day, for a hair-dresser has cropped him like a Puritan.