But, in spite of hate, the Red House lodgers were a happy set of revolutionaries. Real revolutionaries; having their leaflets printed by secret presses; members of societies which exchanged confidential letters with the more eminent Russians, such as Litvinoff and Trotzky, collected for future publication secret circulars, private strike-breaking orders, and other obiter dicta of a rash government, and believed themselves to be working to establish the Soviet government over Europe. They had been angry all this summer because the Glasgow conference of the I.L.P. had broken with the Third International. They spoke with acerbity of Mr. Ramsay Macdonald and Mr. and Mrs. Philip Snowden. But now, in August, they had little acerbity to spare for anything but the government's conduct of Irish affairs.
7
But, though these were Gerda's own people, the circle in which she felt at home, she looked forward every night to the morning, when there would be the office again, and Barry.
Sometimes Barry took her out to dinner and a theatre. They went to the "Beggar's Opera," "The Grain of Mustard Seed," "Mary Rose" (which they found sentimental), and to the "Beggar's Opera" again Gerda had her own ideas, very definite and critical, about dramatic merit. Barry enjoyed discussing the plays with her, listening to her clear little silver voice pronouncing judgment. Gerda might be forever mediocre in any form of artistic expression, but she was an artist, with the artist's love of merit and scorn of the second-rate.
They went to "Mary Rose" with some girl cousins of Barry's, two jolly girls from Girton. Against their undiscriminating enthusiasm, Gerda and her fastidious distaste stood out sharp and clear, like some delicate etching among flamboyant pictures. That fastidiousness she had from both her parents, with something of her own added.
Barry went home with her. He wondered how her fastidiousness stood the grimy house in Magpie Alley and its ramshackle habit of life, after the distinctions and beauty of Windover, but he thought it was probably very good for her, part of the experience which should mould the citizen. Gerda shrank from no experience. At the corner of Bouverie Street they met a painted girl out for hire, strayed for some reason into this unpropitious locality. For the moment Gerda had fallen behind and Barry seemed alone. The girl stopped in his path, looked up in his face enquiringly, and he pushed his way, not urgently, past her. The next moment Gerda's hand caught his arm.
"Stop, Barry, stop."
"Stop? What for?"
"The woman. Didn't you see?"
"My dear child, I can't do anything for her."