'Of course,' said Daphne, frowning over it, 'eighteen-and-six is shocking, with these high prices. Goodness only knows when we're going to get it improved. But it's immoral to try and make it up by private subsidies.... Is there anything the matter with our driver, child? You seem to be interested in him.'

'I was only trying to discern how many children he's old enough to have,' Alix explained. 'It seems nicer not to have to ask him; it's so embarrassing not being able to believe his answer. I think five is the outside limit, don't you, darling?'

Daphne put on her pince-nez and regarded the driver's back.

'Certainly not. Three, if that. In fact, I doubt if he's married at all. But never mind now. I want to hear about you, child. Nicholas gave me a rather poor account of you when he wrote the other day. He seemed to think this Clapton life had been getting a little on your nerves.'

'Oh, I don't think so. I'm all right.'

Daphne regarded her consideringly.

'Nerves. Yes. You oughtn't to have any at your age, of course. No one need, at any age. You should do eurhythmics. You'd find it changed the whole of life—gave it balance, coherence, rhythm. I find it wonderful. You must certainly begin classes at once.'

'I don't think I've time, mother. I'm going to the art school every day.'

'I think you should make time. I hadn't much time while I was on my travels, if you come to that. But I made some to practise my eurhythmics. I knew how important it was to keep fit and balanced and healthy, and that I should never be much use in influencing all those people I interviewed (so reasonable and delightful they mostly were, Alix, and simply longing for peace—I must tell you all about it) unless I kept my own poise. It's the same for you. You'll never be any use at painting or anything else while you're mentally and physically incoherent and adrift. That's one thing settled—eurhythmics. And the other is, you must leave this Pansy, or Violet, or whatever it is, at once, of course, and we'll take a flat. What about these Frampton Tucker people? Of course I know they're hopelessly dull and ordinary—I've met Emily Frampton very seldom, but quite often enough. A kind little mediocrity, the widow of a rather common man of business. Laurence Frampton married her, for some incomprehensible reason of his own; people do sometimes. He took her to Oxford with him, and only survived it a year. They lived at Summertown. Her two girls were quite little then. I believe she was quite happy. I met her once when I was staying at Oriel.... She never took in Oxford, of course; it was too many miles outside her ken, and she very sensibly hardly attempted to belong or mix. But she rather liked Summertown society, I remember. They lived in a house called Thule, and kept six cats. I suppose she hasn't changed at all, probably.'

'Probably not. She's very nice and kind.'