'I'm sorry you thought I was so rude.'
She looked at him for a moment.
'I shouldn't have thought you were particularly sorry, you know. Good-bye.'
The leisurely considering tone, that quite lacked interest, seemed to add an edge to the words.
Tommy, going home with Betty, observed:
'I'm not going to be striking any more. Miss Varley looks at me, and it makes me so shy, and when one's shy one isn't convincing.... I suppose it's really rather a rotten game, you know.'
Betty admitted that it might be so. So that renunciation was made, and their relation with Mrs. Venables became less amusing to themselves and, presumably, less edifying to her. It was quite wearying having to be so comparatively literal.
The Crevequers wondered if Miss Varley appreciated the sacrifice. Betty did not imagine her likely to notice it; she was a person of abstraction. She took an interest, it seemed, in nothing but her work. To be in her presence—in her studio, for instance—was a little like being in the cold, rarefied atmosphere of a mountain-top. It was curious, always, to plunge suddenly into it. To get back afterwards into the warm valleys was also rather curious. Her conversation, when she had any, was a little obvious in its conventionality. It seemed to Betty, when she looked at her, surprising that this should be so. She was pleasant to look at, slim and tall, with head poised a little high, a little backwards; her short upper lip was caught up a little from her lower, seeming to carry out the character of the round, lifted chin and backward-poised head. Over her far-seeing grey eyes her fair brows often puckered thoughtfully, as if they strove to discern. The winter sunshine, striking in through the window, made of her light hair a fluffy aureole. There was, perhaps, a Puritan touch somewhere about her, emphasized by the simple lines of her green painting-smock. There was also something remote, inaccessible. Her grey eyes, dwelling on Betty, were artist's eyes; they seemed to take in every line, carefully noting, and to give out nothing. There was in their regard a certain quality of reserve, an implication of something held back.
Betty, returning the look with her own melancholy child's gaze, took it in without interpretation or analysis. It happens sometimes that for the interpretation of a look we have to wait for spaces of years. Apprehension is a thing of gradual growth; sudden lightening is rare.
Betty felt it a pity that Miss Varley was not a more conversational person, or at least that her conversation should be so very unexciting, so obvious. In the unquiet condition of Vesuvius, in the fact that a great number of visitors were staying in Naples, Betty felt not the least interest. But Miss Varley seemed disinclined to talk of other things; when the conversation tended to become at all autobiographical she became inattentive and absorbed. Betty, lest she should become bored (an unthinkable calamity), started a game, something of the nature of that which she and Tommy played with Mrs. Venables; the object in this case was to produce the sudden curve of the lifted upper lip, the quick twinkle in the grey eyes, which seemed to come irrepressibly, and half against the owner's will. When Betty scored a point—it really happened fairly often—it cheered her very much.