'Who is "her"? Miss Crevequer? What's that got to do with it? I only said she wasn't your sort. And if you want to know whether I like Signor Morello and Signorina Gina Lunelli, I can tell you I certainly don't. And your doing this sort of thing puts mother in a very awkward position; she won't know whether she can logically scold you or not. She sent you out to see things, didn't she? Well, you've seen them now, that's one thing—quite enough for one morning.'
Tommy, it seemed, had got his enjoyment out of the business. He had, he informed Betty, 'been helping Miss Varley to look for her cousin all over the place.' Miss Varley's version was, 'Mr. Crevequer came about with me; I don't know what use he thought he was, except to suggest quite impossible places, and to talk till I felt quite giddy with it. The way those absurd infants babble! And it's mostly such nonsense, when one listens to it; they always make me feel as if I was Alice and they were Tweedledum and Tweedledee; or perhaps the White Knight, because of the sort of gentle melancholy they've got. When they come to a meal it's exactly like the Mad Tea-Party. And it's so ridiculous the way, when one of them stops to stammer, the other finishes the remark, or goes on with it till the first one is ready again.'
Tommy's relations with Miss Varley had, during the past months, greatly interested him. As she so pleased him externally, it was natural that he should desire to make friends; and as this was an enterprise in which he was not used to fail, he embarked on it with some audacity. There was a certain detachment, lack of human interest, about Prudence Varley, as he saw her, which were to him merely walls to be knocked down. He set about razing them with cheerful serenity. It had certainly never occurred to him that, if he wished to make friends with anyone, he would have any difficulty in doing so. But the walls were rather solid, he found. Against the battering-rams of his light-hearted sociability and friendliness they seemed to stand firm; he was only occasionally cheered by 'her eyes when she's going to smile.'
He one evening came to dinner in a mood of reckless resolution; however uninterested, she should this one night be interested, more or less, in him; he would break through the guard somehow and 'achieve intimacy.' He skilfully arranged contiguity with her when they sat on the balcony after dinner and listened to the mandolins in the road below. To tune the scene to the note of seriousness he regarded as desirable—nonsense having failed—he was silent for an unusual minute, to let the night sink in: the broad stillness of the sea below the high road, with the moon cutting its silver lane across it; Naples curving round the water's edge, a great cluster of sparkling jewels; far off across the bay the red glowing column above Vesuvius, that flared and darkened and flared again. To the persistent tinkle of the mandolins below a tenor voice sang 'Addio, bella Napoli!'
Tommy, having given the impression its chance of absorption, inquired:
'Do you like it?'
She turned to him a little absently, and the glow across the water seemed to strike high-lights in her eyes.
'What?'
He swept his hand towards it.
'Naples—all that.'