“The next day this happened, and the next, and on the evening of the third day the man of Mali Sharit went to a wise old woman and told her what he had seen. He said: ‘I am thirsty for this girl. If I cannot marry her I will marry no one and have no sons. Tell me what I can do.’

“The old woman thought, and said: ‘I will tell you what to do. To-morrow you shall take to the edge of the pool a silver mirror and lay it beside the pool. And you shall take a rope and tie yourself round and round with your back against a tree trunk. And you shall stay there without moving while the girl comes from the pool and goes into it again. Then come and tell me what you saw.’

“The man of Mali Sharit did this. When the girl came from the water and saw the mirror she looked into it for a long time. Then she saw the man of Mali Sharit where he stood tied to the tree, and quickly she went back into the water. That day she had not danced.

“In the evening the old woman said: ‘It is good. For three days you shall do again as you have done to-day. On the third day, lay beside the mirror a dress of white silk in which there has been cut no opening for the head to go through. The girl will put this on, in order to see it upon her in the mirror. But when her head is inside it, while she tries to find the opening that is not there, then loosen your ropes and leap quickly, and take her to your house as your wife.’

“All that the old woman had said was wise, and the man of Mali Sharit took the ora of the pool to his house as his wife. But that is not the end of the song.”

The old man paused to adjust a freshly rolled cigarette in his silver holder. For a moment pale sunshine came through the slits of windows in bars of light across the colored rugs and the mass of loungers upon them; it struck a sparkle here and there from revolver hilt and silver chain. Then it went out, and only the firelight richly accented the duskiness. There was a constant coming and going on the long balcony outside the windows, for behind one of the closed doors Padre Marjan was hearing confessions and giving absolution or penance for sins.

“It’s like some old, half-forgotten story,” I said, puzzled. “I remember it, but only as he tells it.”

“Mmmh. So do I,” said Alex. “I can’t just remember what comes next.”

Asht shum i buker (It is very beautiful),” I said to the old man. “And what was the end of the song?”

“The man of Mali Sharit kept in his house the ora of the pool,” the old man continued, “and she was his wife. For six months he was not unhappy, for she was beautiful and she was good, but he longed to hear her speak. And when the six months of humbleness and modesty were gone and the time had come for her to laugh and be gay in his house, she was still silent. The man of Mali Sharit worked hard for her. He brought her fine wool to weave and he made a most beautiful cradle painted with figures of animals and of birds and of fishes, for he remembered that she was of the water. But when he gave her the wool she said nothing, and when he showed her the cradle she was silent. He said to her, ‘Tell me what you want, that I may get it for you,’ and she did not answer. He went into the woods to a place he knew, and fought the wild bees and brought her honey, and she ate the honey, smiling, but still she did not speak. He did other things that I do not remember; he did everything that his mind could devise, to make her break that stillness, and she did not. His home was always very still, and he was troubled. And when their son was born she loved the child, but she made no sound when he was born and she made no song when she nursed him.