There would seem in all these representations to be an unmistakable reference to that form of early cosmogony in which every vivification of the mundane egg constituted a real act of creation. In Japan this conceptive egg is allegorically represented by a nest-egg shown floating upon an expanse of water, against which a bulb is striking with horns. The Sandwich Islanders have a tradition that a bird, which with them is an emblem of deity, laid an egg upon the waters, which burst of itself and thus produced the Islands. In Egypt, Kneph was represented as a serpent emitting from his mouth an egg, from which proceeds the divinity Phtha. In the Bible there is frequent reference to seraphs; Se Ra Ph is the singular of seraphim, meaning, splendor, fire or light. It is emblematic of the fiery sun, which under the name of the Serpent Dragon was destroyed by the reformer Hezekiah; or, it means, also, the serpent with wings and feet, as used to be represented in funeral rituals.
Undoubtedly Abraham brought with him from Chaldea into lower Egypt symbols of simple phallic deities. The reference in the Bible to the Teraphim of Jacob's family reminds us that Terah was the name of Abraham's father, and that he was a maker of images. Undoubtedly the Teraphim were the same as the Seraphim; that is, were serpent images and were the household charms of the Semitic worshippers of the Sun-God, to whom the serpent was sacred. In Numbers, 21, the serpent symbol of the Exodus is called a seraph; moreover when the people were bitten by a fiery serpent Moses prayed for them, when Jehovah replied, "Make them a fiery serpent, (literally seraph) and set it upon a pole, and it shall come to pass that every one who is bitten when he looketh upon it shall live." The exact significance of this healing figure of the serpent is far to seek.
In this connection it must be remembered also, that among several of the Semitic tongues the same root signifies both serpent and phallus, which are both in effect solar emblems. Cronus of the ancient Orphic theogony, probably identical with Hercules, was represented under the mixed emblem of a lion and a serpent, or often as a serpent alone. He was originally considered Supreme, as is shown from his being called Il, which is the same as the Hebrew, El, which was, according to St. Jerome, one of the ten names of God. Damascius in his life of Isidorus mentions that Cronus was worshipped under the name of El. Brahm, Cronus and Kneph each represented the mystical union of the reciprocal or active and passive regenerative principles.
The Semitic Deity, Seth, was certainly a serpent god, and can be identified with Saturn and with deities of other people. The common name of God, Eloah, among the Hebrews and other Semites, goes back into the earliest times; indeed Bryant goes so far as to say that El was the original name of the Supreme deity among all the nations of the East. He was the same as Cronus, who again was the primeval Saturn. Thus Saturn and El were the same deity, and like Seth were symbolized by the serpent.
On the western continent this great unity was equally recognized; in Mexico as Teotl, in Peru as Varicocha or the Soul of the Universe, in Central America and Yucatan as Stunah Ku, or God of Gods. The mundane egg was everywhere received as the symbol of the original, passive, unorganized formless nature, and later became associated with other symbols referring to the creative force or vitalizing influence, which was often represented in emblem by a bull. In the Aztec Pantheon all the other gods and goddesses were practically modified impersonations of these two principles. In the simpler mythology of Peru these principles took the form of the Sun, and the Moon his wife. Among the ruins of Uxmal are two long massive walls of stone thirty feet thick, whose inner sides are embellished with sculpture containing fragments of colossal entwined serpents which run the whole length of the walls; in the center of the wall was a great stone ring.
Among the annals of the Mexicans the woman whose name old Spanish writers translated "The woman of our Fish" is always represented as accompanied by a great male serpent. This serpent is the Sun-God, the principal deity of the Mexican Pantheon, while the name which they give to the goddess mother of primitive man signifies "Woman of the Serpent."
Inseparably connected with the serpent as a phallic emblem are also the pyramids, and, as is well known, pyramids abound in Mexico and Central America. As Humboldt years ago observed pyramids existed through Mexico, in the forests of Papantha at a short distance above sea-level; on the plains of Cholula and of Teotihuacan, and at an elevation which exceeds those of the passes of the Alps. In most widely different nations, in climates most different, man seems to have adopted the same style of construction, the same ornaments, the same customs, and to have placed himself under the government of the same political institutions. Mayer describing one of his trips says, "I constantly saw serpents in the city of Mexico, carved in stone and in the various collections of antiquities." The symbolic feathered serpent was by no means peculiar to Mexico and Yucatan. Squier encountered it in Nicaragua on the summits of volcanic ridges; even among our historic Indian tribes, for example among the Lenni Lenape, they called the rattlesnake "grandfather," and made offerings of tobacco to it. Furthermore in most of the Indian traditions of the Manitou the great serpent figures most conspicuously.
It has been often remarked that every feature of the religion of the new world discovered by Cortez and Pizarro indicates a common origin for the superstitions of both continents, for we have the same worship of the sun, the same pyramidal monuments, and the same universal veneration of the serpent. Thus it will be seen that the serpent symbol had a wide acceptance upon this continent as well as the other, and among the uncivilized and semi-barbaric races; that it entered widely into all symbolic representation with an almost universal significance. Perhaps the latest evidences of the persistence of this belief may be seen in the tradition ascribing to St. Patrick, the credit of having driven all the serpents from Irish soil; or in the perpetuation of rites, festivals and representations whose obsolete origin is now forgotten. For instance the annual May-day festival, scarcely yet discontinued, is certainly of this origin, yet few if any of those who participate in it are aware that it is only the perpetuation of the vernal solar festival of Baal, and that the garlanded May-pole was anciently a phallic emblem. Among men of my own craft the traditions of Aesculapius are familiar. Aesculapius is, however, inseparably connected with the serpent myth and in statues and pictures he is almost always represented in connection with a serpent. Thus he is seen with the Caduceus or the winged wand entwined by two serpents, or, sometimes with serpents' bodies wound around his own; but rarely ever without some serpent emblem. Moreover the Caduceus is identical with the simple figure of the Cross by which its inventor, Thoth, is said to have symbolized the four elements proceeding from a common center. In connection with the Cross it is interesting also that in many places in the East serpent worship was not immediately destroyed by the advent of Christianity. The Gnostics for example, among Christian sects, united it with the religion of the Cross, as might be shown by many quotations from religious writers. The serpent clinging to the Cross was used as a symbol of Christ, and a form of Christian serpent worship was for a long time in vogue among many beside the professed Ophites. In the celebration of the Bacchic mysteries the mystery of religion, as usual throughout the world, was concealed in a chest or box. The Israelites had their sacred Ark, and every nation has had some sacred receptacle for holy things and symbols. The worshippers of Bacchus carried in their consecrated baskets the mystery of their God, while after their banquet it was usual to pass around the cup which was called "The Cup of the Good Daemon," whose symbol was a serpent. This was long before the institution of the rite of the Last Supper. The fable of the method by which the god Aesculapius was brought from Epidaurus to Rome, and the serpentine form in which he appeared before his arrival in Rome for the purpose of checking the terrible pestilence, are well known. The serpentine column which still stands in the old race course in Constantinople is certainly a relic of serpent worship, though this fact was not appreciated by Constantine when he set it up.
The significance of the Ark is not to be overlooked. First, Noah was directed to take with him into the Ark animals of every kind. But this historical absurdity, read aright and in its true phallic sense, means that the Ark was the sacred Argha of Hindoo mythology, which like the moon in Zoroastrian teachings, carries in itself the germ of all things. Read in this sense the thing is no longer incomprehensible. As En Arche (in the beginning) Elohim created the Heavens and the Earth, so in the Ark were the seeds of all things preserved that they might again repopulate the earth. Thus this Ark of Noah, or of Osiris, the primeval ship whose navigation has been ascribed to various mythological beings, was in fact the Moon or the Ship of the Sun, in which his seed is supposed to be hidden until it bursts forth in new life and power. But the dove which figures so conspicuously in the biblical legend was consecrated to Venus in all her different names, in Babylon, in Syria, in Palestine and in Greece; it even attended upon Janus in his Voyage of the Golden Fleece. And so the story of Jonah going to Joppa, a seaport where Dagon, the Fish-God was worshipped, and of the great fish, bears a suspicious relation to the same cult, for the fish was revered at Joppa as was the dove at Nineveh.
It has been impossible to dissociate serpent and serpent worship from Aesculapius. This is not because this mythological divinity is supposed to have been the founder of my profession, but because he has been given at all times a serpentine form and has been, apparently, on the most familiar terms with the animal. Pausanias, indeed, assures us that he often appeared in serpentine form, and the Roman citizens of two thousand years ago saw in this god "in reptilian form an object of high regard and worship." When this divinity was invited to make Rome his home, in accordance with the oracle, he is represented as saying: