Transcriber’s Note: This table is included as an image [here], as some of the characters in it may have more than one interpretation.

This alphabet consists of seven vowels or voices, which in their own nature, actively, and without any super-addition, yield compleat articulate sounds, particles, or names, and hieroglyfically represent the elementary or active parts of the human body, and nature, as similar thereto, namely, a, e or h, i, o, u, w or ω, Υ; and of other characters or letters, which are called consonants from their yielding articulate sounds only in company with vowels. Of these b, c, d, f, g, l, m, p, t, are also hieroglyfic representations of the various parts of the human body and other things as similar thereto; and they are mutable and inflectory in the pronominal cases, from the less animate, slow, and almost silent radical state, both as to the sense and sound, to the rougher, louder, and more animate and active sounds and things; as for instance, c, p, τ, the most silent, as expressive of material or passive substances or local inanimate actions inflect into g, b, d, which are somewhat louder and rougher, as being expressive of the higher and more active things and actions of men and animals; and those again into the still louder and rougher sounds of ch, ff, th, as those are expressive of the most energic actions or modes of motion; but when g, b, d, are the radicals of inflection, they again inflect into ng, f, m, dd, n, and in some dialects the l and r have the aspirates ll and rh for the radicals, as has been shewn in my former treatises. To the loss of these inflections may in a great measure be imputed the great variety and confusion of languages; new dialects having been formed by changing the radicals and misapplying the inflectories, as father for pater, brother for frater, and mother for mater. b, c, d, j, k, p, q, t, as yielding little or no sounds, without the assistance of vowels, are called mutes; l, m, n, r, f, s, as having imperfect obscure sounds without the company of vowels, have been distinguished as semivowels; and l, m, n, r, also as liquids from their flowing in particles, as in, îf, îl, îm, în, îr, the flow of the sun’s rays, light, motion, liquid, and life or qualities upon the lower world of beings and things; but the distinctions of mutes and semivowels seem trifling, as most letters seem to be vowels in some degree.

Here, before we proceed to explain the figures and powers of letters, it may not perhaps be improper to observe that the parts, affections, and ideas of the human pair, incorporated, as in the figures at the end of this essay, were the archetypes or patterns of the original characters, whose figures and sounds are descriptive of the universe; that letters and particles have two sounds, the masculine and feminine, the active and passive, or the short and long; that a particle or syllable cannot in the genuine sense of language consist of more than two letters; and that there are not in fact any such things as dipthongs; those now supposed to be such, being two or three particles of one vowel each, which formerly was a common method of composition, as appears by the following piece of ancient poetry; in which there is no consonant made use of, the r being only a letter of sound.

Oer iu yr eira ar yr yri,

Oi riu or awyr i rewi;

Oer iu yr ia oi riu ri

Ar eira oer iu yr yri.

Thus Englished.

From its high hill cold is ice,