[10] Cf. Euripides and His Age (1913), p. 89. See [p. 217], below.
[11] Cf. The Theatre of Ideas (1915), pp. 9 ff. (copyrighted by the George H. Doran Company).
[12] Cf. Welcker, Nachtrag zu der Schrift über die Aeschylische Trilogie nebst einer Abhandlung über das Satyrspiel (1826); Furtwängler, “Der Satyr aus Pergamon,” Berliner Winckelmannsfest Programm, XL (1880); U. von Wilamowitz-Möllendorff, Einleitung in die griechische Tragödie [Vol. I of his edition of Euripides’ Heracles (1889)], pp. 43 ff. and Neue Jahrbücher für das klassische Altertum, XXIX (1912), 464 ff.; Bethe, Prolegomena zur Geschichte des Theaters im Altherthum (1896); G. Körte, “Satyrn und Böcke,” in Bethe’s Prolegomena, pp. 339 ff.; Wernicke, “Bockschöre und Satyrdrama,” Hermes, XXXII (1897), 290 ff.; Schmid, Zur Geschichte des gr. Dithyrambus (1901); Reisch, “Zur Vorgeschichte der attischen Tragödie,” in Festschrift Theodor Gomperz (1902), pp. 451 ff.; Crusius, s.v. “Dithyrambos,” in Pauly-Wissowa, Real-Encyclopädie, V, 1203 ff. (1903); Dieterich, “Die Entstehung der Tragödie,” Archiv für Religionswissenschaft, XI (1908), 163 ff. [Kleine Schriften, pp. 414 ff.]; Farnell, Cults of the Greek States, V, 85 ff., and especially pp. 224 ff. (1909), and “The Megala Dionysia and the Origin of Tragedy,” Journal of Hellenic Studies, XXIX (1909), xlvii; Ridgeway, The Origin of Tragedy with Special Reference to the Greek Tragedians (1910), and The Dramas and Dramatic Dances of Non-European Races in Special Reference to the Origin of Greek Tragedy (1915), reviewed by Flickinger in Classical Weekly, XI (1918), 107 ff.; Nilsson, “Der Ursprung der Tragödie,” Neue Jahrbücher für das klassische Altertum, XXVII (1911), 609 ff. and 673 ff.; Jane Harrison, Themis, a Study of the Social Origins of Greek Religion (1912); Murray, “The Ritual Forms Preserved in Greek Tragedy,” in Miss Harrison’s Themis, pp. 341 ff.; Flickinger, “Tragedy and Satyric Drama,” Classical Philology, VIII (1913), 261 ff.; and Cook, Zeus, a Study in Ancient Religion, I (1914), 665 ff. and 695 ff.
[13] Cf. Lawson, Annual of British School at Athens, VI (1900), 125 ff.; Dawkins, ibid., XI (1905), 72 ff.; and Wace, ibid., XVI (1910), 232 ff.
[14] Cf. Suidas, s.v. “Phrynichus.”
[15] Cf. Euripides the Rationalist, p. 243.
[16] Cf. von Wilamowitz, Neue Jahrbücher f. kl. Altertum, XXIX (1912), 474, and Cook, Zeus, I, xiii f.
[17] Cf. his Aristotle on the Art of Poetry, p. 135. This opinion is confirmed by the fact that men of such importance as Thespis and Phrynichus are not so much as mentioned in the Poetics.
[18] Cf. Poetics 1449a9-11: γενομένη <δ’> ἀπ’ ἀρχῆς αὐτοσχεδιαστική, ... καὶ ἡ μὲν ἀπὸ τῶν ἐξαρχόντων τὸν διθύραμβον.
[19] Cf. Laws 700 B: καὶ ἄλλο (sc. εἶδος ᾠδῆς) Διονύσου γένεσις, οἶμαι, διθύραμβος λεγόμενος.