[323] Πάλαι in vs. 587 is entirely subjective; cf. Conrad, The Technique of Continuous Action in Roman Comedy (1915), pp. 22 ff.
[324] For example, the slips which occur in Aristophanes’ Lysistrata (vss. 725 and 881).
[325] Cf. Discours des trois unités, I, 113 f. (Regnier’s edition), quoted by Butcher, op. cit., pp. 294 f.
[326] Cf. the introduction to his edition of the Agamemnon, and Four Plays of Euripides, pp. 1-42.
[327] Cf. Dramatic Essays (Everyman’s Library edition), p. 18.
[328] Cf. Poetics 1449b12-14.
[329] Cf. England’s edition of Euripides’ Iphigenia at Aulis, p. xxvii.
[330] Cf. The Bookman, XXX (1909), 37.
[331] Cf. Archer, Play-making, pp. 123 f.
[332] Cf. Poetics 1450a38 f.