“Yes, sir?” I queried.

“Nothing, nothing.”

I knew what he had intended to say, and fervently wished that he would get rid of his vague suspicions.

I was glad, therefore, when he continued: “I have often wondered whether my nephew may not have had a fight with some admirer of Janet Gray, a fight that ended unexpectedly in a tragedy.”

“Do you intend to pursue the matter?”

“No,” he answered, energetically. “I think when a man undertakes the seduction of a girl he must look for violence from those whose feelings he outrages or from those whose hearths he pollutes. I could not if it were my own son bring the avenger to so-called justice. I may be wrong, but I believe that if my niece were asked, she would agree with me.”

I breathed a sigh of relief, for they were not precisely the sentiments I had expected from him.

Chapter XI

I had reached quite a new phase of my career. The boy who had set out in life from the little house at Clapham with a distinctly suburban appearance was now hardly recognisable. I was twenty-three years of age. I knew that I had a certain romantic distinction of appearance, for I had been constantly reminded of the fact by women of society who made it their business to secure as good-looking cavaliers as possible. Someone had once said in my hearing that I was like the young Disraeli. Poor Lady Pebworth, in beginning what she conceived to be the patronage of an obscure youth, had been caught in her own trap, and had thrown modesty and virtue to the winds in an overmastering infatuation; she would likewise have discarded prudence had I been in the mind to allow her to do so. I am quite aware of the charge of coxcombry which will be made against me for writing in such a way about my conquests, but when a man sets forth to tell the history of his life he must make up his mind to be impervious to two accusations which are sure to be thrown at the head of the truthful memoirist, namely, those of vanity and exaggeration. When we reflect that no novelist or diarist has ever yet dared to paint a truly analytical picture of a human career it is evident how amazingly difficult such a performance must be, and there are few who would be willing to risk the fury of mankind by giving an accurate description of their lives and actions.

Jean Jacques Rousseau certainly made a pretence of doing so, but we read his incomplete memorials with a solemn wink and our tongue in our cheek. His dissipations and weaknesses, which he parades with such an ostentation of candour, he knows are not such as to bring down any great obloquy. Perhaps there is philosophy at the foundation of such an attitude on the part of society at large. An absolute ingenuousness on the subject of our failings might breed too broad a tolerance to suit the present views of humanity. I myself have no intention of admitting the public into the inner sanctuary where dwell my most esoteric emotions. The philosopher wisely avoids the company of those who, indifferent to the opportunities of learning, are ready to practise the habits of street urchins at a sight foreign to the daily life of the streets. Jean Jacques’ drama was always legitimate.