“Light begins to fade,” Johnny grinned when the door had been closed. “Sure is a queer way to put it.”
Twenty minutes later he began to realize that the strange boy had spoken the exact truth. The light did begin to fade. At first the change was almost imperceptible, a mere deepening of shadows in remote corners. Then, little by little, the pictures that hung low on those tall walls began to fade. The windows too, short, low windows, too short, Johnny thought, for so tall a room, began letting in light about the shades, a very little light, but light all the same.
Breaking the spell that had settled upon his drowsy senses, Johnny sprang to his feet, threw off his clothes, dragged on his sleeping garments, then crept beneath the covers of a most comfortable bed.
“Light is fading,” he murmured. He recalled the lights on the stage of the opera house. They had not blinked on and off. They faded like the coming of darkness on the broad prairies. “Sort of nice, I think,” he murmured sleepily. “More natural. Like—like—”
Well, after all, what did it matter what it was like. He had fallen asleep.
How long we have slept we are seldom able to tell. At times an hour seems a whole night, at others four hours is but a dozen ticks of the clock. Johnny slept. He awoke. And at once his senses were conscious of some change going on in his room. He was seized with a foreboding of impending catastrophe.
At first he was at a complete loss to know what this change was. There was the room. The low windows still admitted streaks of light. The chairs, his bed, the very low chest of drawers were in their accustomed places.
“And yet—” He ran a hand across his eyes as if to clear his vision. And then like a flash it came to him. That exceedingly tall room was not so tall now—or was it?
“Impossible! How absurd!” He sat up, determined to waken himself from a bad dream.
But the thing was no dream. The ceiling was lower, fully five feet lower. And—horror of horrors!—it was still moving downward, lower, lower, still lower.