"Egad!" said Butters, "I never heard that before. Well, well, well, well."
"I think there is no doubt, Mr. Butters," said Letitia, "that he was your ancestor."
"You don't say so," mumbled the delighted editor. "Shouldn't wonder. Shouldn't wonder now at all. I believe there was an 's' tacked on our name, some time or other, now that I come to think of it, and printer's ink always did run in the Butters blood, by George!"
He even meditated hanging up a sign with a pied bull upon it—or so he said—but rejected the plan as too Old English for Grassy Ford. He never ceased, however, to refer to "my old cousin—Shakespeare's publisher, you know," and in the occasional dramatic criticisms that embellished the columns of the Gazette, all plays presented at our Grand Opera-House in the Odd Fellow's Block were compared, somehow, willy-nilly, to King Lear.
Butters of "The Pide Bull," I say, first told me how that young Crusader with the tear-wet face had delivered "Jerusalem," saving it from the stern fate which had awaited it and setting it proudly among the immortal "Gems." Then I sought Letitia, whose briefer, more reluctant version filled in wide chinks in the Butters narrative, while my knowledge of them both, of their modesty and their tender-heartedness, filled in the others, making the tale complete.
I was too young when the poet wrote his masterpiece to know or care about it, or how it found its way to the wondering world of Grassy Ford—nay, to the whole round world as well, "two hemispheres," as old man Butters used to remind me with offended pride in his voice, which had grown gruffer with his years. Did he not send Gazettes weekly, he would ask, to Mrs. Ann Bowers's eldest son, a Methodist missionary in the Congo wilds, and to "that woman in Asia"? He referred to a Grassy Ford belle of other days who had married a tea-merchant and lived in Chong-Chong.
Who knows what befell the edition of that memorable Gazette which contained "Jerusalem," set solid, a mighty column of Alexandrine lines? One summer's afternoon, tramping in an Adirondack wilderness, I came by chance upon the blackened ashes of a fire, and sitting meditatively upon a near-by log, poking the leaf-strewn earth with my stick, I unearthed a yellow, half-burned corner of an old newspaper, and, idly lifting it to read, found it a fragment of some Australian Times. Still more recently, when my aunt Matilda, waxing wroth at the settling floors of her witch-colonial house in Bedfordtown, had them torn up to lay down new ones, the carpenters unearthed an old rat's nest built partially of a New York Tribune with despatches from the field of Gettysburg.
"Sneer not at the power of the press," old man Butters used to say, stuffing the bowl of his black pipe from my tobacco-jar and casting the match into my wife's card-tray. "Who knows, my boy? Davy Primrose's 'Jerusalem' may turn up yet."
It is something to ponder now how all those years that I played away, Letitia, of whom I thought then only as the young lady who lived next door and occasional confidante of my idle hours, was slaving with pretty hands and puzzling her fair young mind to bring both ends together in decent comfort for that poor dependent one. Yet she does not sigh, this gray Letitia among the petunias, when she talks of those by-gone days, but is always smiling back with me some happy memory.