Osiris was the son of the Sun-god, his brother was Typhon-Set, and his sister was Isis. Osiris married his sister, and together they reigned over Egypt. The wicked brother, Typhon, meditated killing Osiris. He had a chest made which was exactly the length of Osiris' body. At a banquet this chest was offered to the person whom it exactly fitted. This was Osiris and none other! He entered the chest. Typhon and his confederates rushed upon him, closed the chest, and threw it into the river. When Isis heard the terrible news she wandered far and wide in despair, seeking her husband's body. When she had found it, Typhon again took possession of it, and tore it in fourteen pieces which were dispersed in many different places. Various tombs of Osiris were shown in Egypt. In many places, up and down the country, portions of the god were said to be buried. Osiris himself, however, came forth from the nether-world and vanquished Typhon. A beam shone from him upon Isis, who in consequence bore a son, Harpocrates or Horus.
And now let us compare this myth with the view which the Greek philosopher, Empedocles (B.C. 490-430) takes of the universe. He assumes that the one original primeval being was once broken up into the four elements, fire, water, earth, and air, or into the multiplicity of being. He represents two opposing forces, which within this world of existence bring about growth and decay, love and strife. Empedocles says of the elements:
They remain ever the same, but yet by combining their forces
Become transformed into men and the numberless beings besides.
These are now joined into one, love binding the many together,
Now once again they are scattered, dispersing through hatred and strife.
What then are the things in the world from Empedocles' point of view? They are the elements in different combinations. They could only come into being because the Primeval Unity was broken up into the four essences. Therefore this primordial unity was poured into the elements. Anything confronting us is part of the divinity which was poured out. But the divinity is hidden in the thing; it first had to die that things might come into being. And what are these things? Mixtures of divine constituents effectuated by love and hatred. Empedocles says this distinctly:
See, for a clear demonstration, how the limbs of a man are constructed,
[106] All that the body possesses, in beauty and pride of existence,
All put together by love, are the elements there forming one.
Afterwards hatred and strife come, and fatally tear them asunder,
Once more they wander alone, on the desolate confines of life.
So it is with the bushes and trees, and the water-inhabiting fishes,
Wild animals roaming the mountains, and ships swiftly borne by their sails.
Empedocles therefore must come to the conclusion that the sage finds again the Divine Primordial Unity, hidden in the world by a spell, and entangled in the meshes of love and hatred. But if man finds the divine, he must himself be divine, for Empedocles takes the point of view that a being is only cognised by its equal. This conviction of his is expressed in Goethe's lines: "If the eye were not of the nature of the sun, how could we behold light? If divine force were not at work in us, how could divine things delight us?"
These thoughts about the world and man, which transcend sense-experience, were found by the Mystic in the myth of Osiris. Divine creative force has been poured out into the universe; it appears as the four elements; God (Osiris) is killed. Man is to raise him from the dead with his cognition, which is of divine nature. He is to find him again as Horus (the Son of God, the Logos, Wisdom), in the opposition between Strife (Typhon) and Love (Isis). Empedocles expresses his fundamental conviction in Greek form by means of images which border on myth. Love is Aphrodite, and strife is Neikos. They bind and unbind the elements.
The portrayal of the content of a myth in the manner followed here must not be confused with a merely symbolical or even allegorical interpretation of myths. This is not intended. The images forming the contents of a myth are not invented symbols of abstract truths, but actual soul-experiences of the initiate. He experiences the images with his spiritual organs of perception, just as the normal man experiences the images of physical things with his eyes and ears. But as an image is nothing in itself if it is not aroused in the perception by an outer object, so the mythical image is nothing unless it is excited by real facts of the spiritual world. Only in regard to the physical world, man is at first outside the exciting causes, whereas he can only experience the images of myths when he is within the corresponding spiritual occurrences. In order, however, to be within them, he must have gone through initiation. Then the spiritual occurrences within which he is perceiving are, as it were, illustrated by the myth-images. Any one who cannot take the mythical element as such illustration of real spiritual occurrences, has not yet attained to the understanding of it. For the spiritual events themselves are supersensible, and images which are reminiscent of the physical world are not themselves of a spiritual nature, but only an illustration of spiritual things. One who lives merely in the images lives in a dream. Only one who has got to the point of feeling the spiritual element in the image as he feels in the sense-world a rose through the image of a rose, really lives in spiritual perceptions. This is the reason why the images of myths cannot have only one meaning. On account of their illustrative character, the same myths may express several spiritual facts. It is not therefore a contradiction when interpreters of myths sometimes connect a myth with one spiritual fact and sometimes with another.
From this standpoint, we are able to find a thread to conduct us through the labyrinth of Greek myths. Let us consider the legend of Heracles. The twelve labours imposed upon Heracles appear in a higher light when we remember that before the last and most difficult one, he is initiated into the Eleusinian mysteries. He is commissioned by King Eurystheus of Mycenæ to bring the hell-hound Cerberus from the infernal regions and take it back there again. In order to undertake the descent into hell, Heracles had to be initiated. The Mysteries conducted man through the death of perishable things, therefore into the nether-world, and by initiation they rescued his eternal part from perishing. As a Mystic, he could vanquish death. Heracles having become a Mystic overcomes the dangers of the nether-world. This justifies us in interpreting his other ordeals as stages in the inner development of the soul. He overcomes the Nemæan lion and brings him to Mycenæ. This means that he becomes master of purely physical force in man; he tames it. Afterwards he slays the nine-headed Hydra. He overcomes it with firebrands and dips his arrows in its gall, so that they become deadly. This means that he overcomes lower knowledge, that which comes through the senses. He does this through the fire of the spirit, and from what he has gained through the lower knowledge, he draws the power to look at lower things in the light which belongs to spiritual sight. Heracles captures the hind of Artemis, goddess of hunting: everything which free nature offers to the human soul, Heracles conquers and subdues. The other labours may be interpreted in the same way. We cannot here trace out every detail, and only wish to describe how the general sense of the myth points to inner development.
A similar interpretation is possible of the expedition of the Argonauts. Phrixus and his sister Helle, children of a Bœotian king, suffered many things from their step-mother. The gods sent them a ram with a golden fleece, which flew away with them. When they came to the straits between Europe and Asia, Helle was drowned. Hence the strait is called the Hellespont. Phrixus came to the King of Colchis, on the east shore of the Black Sea. He sacrificed the ram to the gods, and gave its fleece to King Æetes. The king had it hung up in a grove and guarded by a terrible dragon. The Greek hero Jason undertook to fetch the fleece from Colchis, in company with other heroes, Heracles, Theseus, and Orpheus. Heavy tasks were laid upon Jason by Æetes for the obtaining of the treasure, but Medea, the king's daughter, who was versed in magic, aided him. He subdued two fire-breathing bulls. He ploughed a field and sowed in it dragon's teeth from which armed men grew up out of the earth. By Medea's advice he threw a stone into their midst, whereupon they killed each other. Jason lulls the dragon to sleep with a charm of Medea's and is then able to win the fleece. He returns with it to Greece, Medea accompanying him as his wife. The king pursues the fugitives. In order to detain him, Medea slays her little brother Absyrtus, and scatters his limbs in the sea. Æetes stays to collect them, and the pair are able to reach Jason's home with the fleece.