Ow! Hi! Yi! Wha-hup! Phew! Whew! Pwhit! Bang! Wang! Crr-rash! There was ample time for variations as the horns uplifted themselves and ere the held voices came down in the foam of sound—
"That's what the girl told the soldier."
Providence has sent me several joys, and I have helped myself to others, but that night, as I looked across the sea of tossing billycocks and rocking bonnets, my work, as I heard them give tongue, not once, but four times—their eyes sparkling, their mouths twisted with the taste of pleasure—I felt that I had secured Perfect Felicity. I am become greater than Shakespeare. I may even write plays for the Lyceum, but I never can recapture that first fine rapture that followed the Upheaval of the Anglo-Saxon four hundred of him and her. They do not call for authors on these occasions, but I desired no need of public recognition. I was placidly happy. The chorus bubbled up again and again throughout the evening, and a redcoat in the gallery insisted on singing solos about "a swine in the poultry line," whereas I had written "man," and the pewters began to fly, and afterwards the long streets were vocal with various versions of what the girl had really told the soldier, and I went to bed murmuring: "I have found my destiny."
But it needs a more mighty intellect to write the Songs of the People. Some day a man will rise up from Bermondsey, Battersea or Bow, and he will be coarse, but clearsighted, hard but infinitely and tenderly humorous, speaking the people's tongue, steeped in their lives and telling them in swinging, urging, dinging verse what it is that their inarticulate lips would express. He will make them songs. Such songs! And all the little poets who pretend to sing to the people will scuttle away like rabbits, for the girl (which, as you have seen, of course, is wisdom) will tell that soldier (which is Hercules bowed under his labours) all that she knows of Life and Death and Love.
And the same, they say, is a Vulgarity!
FOOTNOTES:
[27] "Turnovers," No. IX.