"You wanchee buy? Heap plitty things here," said he; and he filled a tobacco-pipe from a dull green leather pouch held at the mouth with a little bracelet of plasma, or it might have been the very jade. He was playing with a brown-wood abacus, and by his side was his day-book bound in oiled paper, and the tray of Indian ink, with the brushes and the porcelain supports for the brushes. He made an entry in his book and daintily painted in his latest transaction. The Chinese of course have been doing this for a few thousand years, but Life, and its experiences, is as new to me as it was to Adam, and I marvelled.
"Wanchee buy?" reiterated the shopman after he had made his last flourish.
"You," said I, in the new tongue which I am acquiring, "wanchee know one piecee information b'long my pidgin. Savvy these things? Have got soul, you?"
"Have got how?"
"Have got one piecee soul—allee same spilit? No savvy? This way then—your people lookee allee same devil; but makee culio allee same pocket-Joss, and not giving any explanation. Why-for are you such a horrible contradiction?"
"No savvy. Two dollar an' half," he said, balancing a cabinet in his hand. The Professor had not heard. His mind was oppressed with the fate of the Hindu.
"There are three races who can work," said the Professor, looking down the seething street where the 'rickshaws tore up the slush, and the babel of Cantonese, and pidgin went up to the yellow fog in a jumbled snarl.
"But there is only one that can swarm," I answered. "The Hindu cuts his own throat and dies, and there are too few of the Sahib-log to last for ever. These people work and spread. They must have souls or they couldn't understand pretty things."
"I can't make it out," said the Professor. "They are better artists than the Hindu,—that carving you are looking at is Japanese, by the way,—better artists and stronger workmen, man for man. They pack close and eat everything, and they can live on nothing."
"And I've been praising the beauties of Indian Art all my days." It was a little disappointing when you come to think of it, but I tried to console myself by the thought that the two lay so far apart there was no comparison possible. And yet accuracy is surely the touchstone of all Art.