THE PARTY IN THE PARLOUR WHO PLAYED GAMES. A COMPLETE HISTORY OF ALL MODERN JAPANESE ART; A SURVEY OF THE PAST, AND A PROPHECY OF THE FUTURE, ARRANGED AND COMPOSED IN THE KIOTO FACTORIES.
"Oh, brave new world that has such creatures in it,
How beautiful mankind is!"
How I got to the tea-house I cannot tell. Perhaps a pretty girl waved a bough of cherry blossom at me, and I followed the invitation. I know that I sprawled upon the mats and watched the clouds scudding across the hills and the logs flying down the rapids, and smelt the smell of the raw peeled timber, and listened to the grunts of the boatmen as they wrestled with that and the rush of the river, and was altogether happier than it is lawful for a man to be.
The lady of the tea-house insisted upon screening us off from the other pleasure-parties who were tiffining in the same verandah. She brought beautiful blue screens with storks on them and slid them into grooves. I stood it as long as I could. There were peals of laughter in the next compartment, the pattering of soft feet, the clinking of little dishes, and at the chinks of the screens the twinkle of diamond eyes. A whole family had come in from Kioto for the day's pleasuring. Mamma looked after grandmamma, and the young aunt looked after a guitar, and the two girls of fourteen and fifteen looked after a merry little tomboy of eight, who, when she thought of it, looked after the baby who had the air of looking after the whole party. Grandmamma was dressed in dark blue, mamma in blue and grey, the girls had gorgeous dresses of lilac, fawn, and primrose crêpe with silk sashes, the colour of apple blossom and the inside of a newly cut melon; the tomboy was in old gold and russet brown; but the baby tumbled his fat little body across the floor among the dishes in the colours of the Japanese rainbow, which owns no crude tints. They were all pretty, all except grandmamma, who was merely good-humoured and very bald, and when they had finished their dainty dinner, and the brown lanquer stands, the blue and white crockery, and the jade-green drinking-cups had been taken away, the aunt played a little piece on the samisen, and the girls played blindman's-buff all round the tiny room.
Flesh and blood could not have stayed on the other side of the screens. I wanted to play too, but I was too big and too rough, and so could only sit in the verandah, watching these dainty bits of Dresden at their game. They shrieked and giggled and chattered and sat down on the floor with the innocent abandon of maidenhood, and broke off to kiss the baby when he showed signs of being overlooked. They played puss-in-the-corner, their feet tied with blue and white handkerchiefs because the room did not allow unfettered freedom of limb, and when they could play no more for laughing, they fanned themselves as they lay propped up against the blue screens,—each girl a picture no painter could reproduce,—and I shrieked with the best of them till I rolled off the verandah and nearly dropped into the laughing street. Was I a fool? Then I fooled in good company, for an austere man from India—a person who puts his faith in race-horses and believes nothing except the Civil Code—was also at Arashima that day. I met him flushed and excited.
"'Had a lively time," he panted, with a hundred children at his heels. "There's a sort of roulette table here where you can gamble for cakes. I bought the owner's stock-in-trade for three dollars and ran the Monte Carlo for the benefit of the kids—about five thousand of 'em. Never had such fun in my life. It beats the Simla lotteries hollow. They were perfectly orderly till they had cleared the tables of everything except a big sugar-tortoise. Then they rushed the bank, and I ran away."
And he was a hard man who had not played with anything as innocent as sweetmeats for many years!
When we were all weak with laughing, and the Professor's camera was mixed up in a tangle of laughing maidens to the confusion of his pictures, we too ran away from the tea-house and wandered down the river bank till we found a boat of sewn planks which poled us across the swollen river, and landed us on a little rocky path overhanging the water where the iris and the violet ran riot together and jubilant waterfalls raced through the undergrowth of pine and maple. We were at the foot of the Arashima rapids, and all the pretty girls of Kioto were with us looking at the view. Up-stream a lonely black pine stood out from all its fellows to peer up the bend where the racing water ran deep in oily swirls. Down-stream the river threshed across the rocks and troubled the fields of fresh logs on its bosom, while men in blue drove silver-white boats gunwale-deep into the foam of its onset and hooked the logs away. Underfoot the rich earth of the hillside sent up the breath of the turn of the year to the maples that had already caught the message from the fire-winds of April. Oh! it was good to be alive, to trample the stalks of the iris, to drag down the cherry-bloom spray in a wash of dew across the face, and to gather the violets for the mere pleasure of heaving them into the torrent and reaching out for fairer flowers.
"What a nuisance it is to be a slave to the camera," said the Professor, upon whom the dumb influences of the season were working though he knew it not.
"What a nuisance it is to be a slave to the pen," I answered, for the spring had come to the land. I had hated the spring for seven years because to me it meant discomfort.