"That's true; but I've shown this one to the Japanese Government expert in pictures—the man the Mikado consults in cases of doubt—to the first European authority on Japanese art, and of course I have my own opinion to back the signed guarantee of the seller. Look!"
He unrolled a silk-scroll and showed me the figure of a girl in pale blue and grey crêpe, carrying in her arms a bundle of clothes that, as the tub behind her showed, had just been washed. A dark-blue handkerchief was thrown lightly over the left forearm, shoulder, and neck, ready to tie up the clothes when the bundle should be put down. The flesh of the right arm showed through the thin drapery of the sleeve. The right hand merely steadied the bundle from above; the left gripped it firmly from below. Through the stiff blue-black hair showed the outline of the left ear.
That there was enormous elaboration in the picture, from the ornamentation of the hair-pins to the graining of the clogs, did not strike me till after the first five minutes, when I had sufficiently admired the certainty of touch.
"Recollect there is no room for error in painting on silk," said the proud possessor. "The line must stand under any circumstances. All that is possible before painting is a little dotting with charcoal, which is rubbed off with a feather-brush. Did he know anything about drapery or colour or the shape of a woman? Is there any one who could teach him more if he were alive to-day?"
Then we went to Nikko.
No. XIX
THE LEGEND OF NIKKO FORD AND THE STORY OF THE AVOIDANCE OF MISFORTUNE.
A rose-red city, half as old as Time.
Five hours in the train took us to the beginning of a 'rickshaw journey of twenty-five miles. The guide unearthed an aged cart on Japanese lines, and seduced us into it by promises of speed and comfort beyond anything that a 'rickshaw could offer. Never go to Nikko in a cart. The town of departure is full of pack-ponies who are not used to it, and every third animal tries to get a kick at his friends in the shafts. This renders progress sufficiently exciting till the bumpsomeness of the road quenches all emotions save one. Nikko is reached through one avenue of cryptomerias—cypress-like trees eighty feet high, with red or dull silver trunks and hearse-plume foliage of darkest green. When I say one avenue, I mean one continuous avenue twenty-five miles long, the trees so close to each other throughout that their roots interlace and form a wall of wood on either side of the sunken road. Where it was necessary to make a village along the line of march,—that is to say once every two or three miles,—a few of the giants had been wrenched out—as teeth are wrenched from a full-planted jaw—to make room for the houses. Then the trees closed up as before to mount guard over the road. The banks between which we drove were alight with azaleas, camelias, and violets. "Glorious! Stupendous! Magnificent!" sang the Professor and I in chorus for the first five miles, in the intervals of the bumps. The avenue took not the least notice of our praise except by growing the trees even more closely together. "Vistas of pillared shade" are very pleasant to read about, but on a cold day the ungrateful heart of man could cheerfully dispense with a mile or two of it if that would shorten the journey. We were blind to the beauty around; to the files of pack-ponies with manes like hearth-brooms and the tempers of Eblis kicking about the path; to the pilgrims with blue and white handkerchiefs on their heads, enviable silver-grey leggings on their feet, and Buddha-like babies on their backs; to the trim country drays pulled by miniature cart-horses bringing down copper from the mines and saki from the hills; to the colour and movement in the villages where all the little children shouted "Ohio's!" and all the old people laughed. The grey tree-trunks marched us solemnly along over that horrid bad road which had been mended with brushwood, and after five hours we got Nikko in the shape of a long village at the foot of a hill, and capricious Nature, to reward us for our sore bones, laughed on the instant in floods of sunshine. And upon what a mad scene did the light fall! The cryptomerias rose in front of us a wall of green darkness, a tearing torrent ran deep-green over blue boulders, and between stream and trees was thrown a blood-red bridge—the sacred bridge of red lacquer that no foot save the Mikado's may press.