INDIAN TALES

BY RUDYARD KIPLING


CONTENTS

[“The Finest Story in the World”]
[With the Main Guard]
[Wee Willie Winkie]
[The Rout of the White Hussars]
[At Twenty-two]
[The Courting of Dinah Shadd]
[The Story of Muhammad Din]
[In Flood Time]
[My Own True Ghost Story]
[The Big Drunk Draf’]
[By Word of Mouth]
[The Drums of the Fore and Aft]
[The Sending of Dana Da]
[On the City Wall]
[The Broken-link Handicap]
[On Greenhow Hill]
[To Be Filed for Reference]
[The Man Who Would Be King]
[The Gate of the Hundred Sorrows]
[The Incarnation of Krishna Mulvaney]
[His Majesty the King]
[The Strange Ride of Morrowbie Jukes]
[In the House of Suddhoo]
[Black Jack]
[The Taking of Lungtungpen]
[The Phantom Rickshaw]
[On the Strength of a Likeness]
[Private Learoyd’s Story]
[Wressley of the Foreign Office]
[The Solid Muldoon]
[The Three Musketeers]
[Beyond the Pale]
[The God from the Machine]
[The Daughter of the Regiment]
[The Madness of Private Ortheris]
[L’Envoi]

“THE FINEST STORY IN THE WORLD”

“Or ever the knightly years were gone
With the old world to the grave,
I was a king in Babylon
And you were a Christian slave,”
W.E. Henley.

His name was Charlie Mears; he was the only son of his mother who was a widow, and he lived in the north of London, coming into the City every day to work in a bank. He was twenty years old and suffered from aspirations. I met him in a public billiard-saloon where the marker called him by his given name, and he called the marker “Bullseyes.” Charlie explained, a little nervously, that he had only come to the place to look on, and since looking on at games of skill is not a cheap amusement for the young, I suggested that Charlie should go back to his mother.

That was our first step toward better acquaintance. He would call on me sometimes in the evenings instead of running about London with his fellow-clerks; and before long, speaking of himself as a young man must, he told me of his aspirations, which were all literary. He desired to make himself an undying name chiefly through verse, though he was not above sending stories of love and death to the drop-a-penny-in-the-slot journals. It was my fate to sit still while Charlie read me poems of many hundred lines, and bulky fragments of plays that would surely shake the world. My reward was his unreserved confidence, and the self-revelations and troubles of a young man are almost as holy as those of a maiden. Charlie had never fallen in love, but was anxious to do so on the first opportunity; he believed in all things good and all things honorable, but, at the same time, was curiously careful to let me see that he knew his way about the world as befitted a bank clerk on twenty-five shillings a week. He rhymed “dove” with “love” and “moon” with “June,” and devoutly believed that they had never so been rhymed before. The long lame gaps in his plays he filled up with hasty words of apology and description and swept on, seeing all that he intended to do so clearly that he esteemed it already done, and turned to me for applause.