* * * * *

Wressley of the Foreign Office was broken, smashed,—I am not exaggerating—by this one frivolous little girl. All that he could say feebly was—“But—but it’s my magnum opus! The work of my life.” Miss Venner did not know what magnum opus meant; but she knew that Captain Kerrington had won three races at the last Gymkhana. Wressley didn’t press her to wait for him any longer. He had sense enough for that.

Then came the reaction after the year’s strain, and Wressley went back to the Foreign Office and his “Wajahs,” a compiling, gazetteering, report-writing hack, who would have been dear at three hundred rupees a month. He abided by Miss Venner’s review. Which proves that the inspiration in the book was purely temporary and unconnected with himself. Nevertheless, he had no right to sink, in a hill-tarn, five packing-cases, brought up at enormous expense from Bombay, of the best book of Indian history ever written.

When he sold off before retiring, some years later, I was turning over his shelves, and came across the only existing copy of Native Rule in Central India—the copy that Miss Venner could not understand. I read it, sitting on his mule-trunks, as long as the light lasted, and offered him his own price for it. He looked over my shoulder for a few pages and said to himself drearily—

“Now, how in the world did I come to write such damned good stuff as that?”

Then to me—

“Take it and keep it. Write one of your penny-farthing yarns about its birth. Perhaps—perhaps—the whole business may have been ordained to that end.”

Which, knowing what Wressley of the Foreign Office was once, struck me as about the bitterest thing that I had ever heard a man say of his own work.


THE SOLID MULDOON