“He’s always tuk this way whin he’s been checked overmuch by the childher they make Sarjints nowadays. That an’ havin’ nothin’ to do. I can’t make ut out anyways.”
“Well, what does it matter? Let him talk himself through.”
Ortheris began singing a parody of “The Ramrod Corps,” full of cheerful allusions to battle, murder, and sudden death. He looked out across the river as he sang; and his face was quite strange to me. Mulvaney caught me by the elbow to ensure attention.
“Matther? It matthers everything! ’Tis some sort av fit that’s on him. I’ve seen ut. ’Twill hould him all this night, an’ in the middle av it he’ll get out av his cot an’ go rakin’ in the rack for his ’coutremints. Thin he’ll come over to me an’ say, ‘I’m goin’ to Bombay. Answer for me in the mornin’.’ Thin me an’ him will fight as we’ve done before—him to go an’ me to hould him—an’ so we’ll both come on the books for disturbin’ in barricks. I’ve belted him, an’ I’ve bruk his head, an’ I’ve talked to him, but ’tis no manner av use whin the fit’s on him. He’s as good a bhoy as ever stepped whin his mind’s clear. I know fwhat’s comin’, though, this night in barricks. Lord send he doesn’t loose on me whin I rise to knock him down. ’Tis that that’s in my mind day an’ night.”
This put the case in a much less pleasant light, and fully accounted for Mulvaney’s anxiety. He seemed to be trying to coax Ortheris out of the fit; for he shouted down the bank where the boy was lying—
“Listen now, you wid the ‘pore pink toes’ an’ the glass eyes! Did you shwim the Irriwaddy at night, behin’ me, as a bhoy shud; or were you hidin’ under a bed, as you was at Ahmid Kheyl?”
This was at once a gross insult and a direct lie, and Mulvaney meant it to bring on a fight. But Ortheris seemed shut up in some sort of trance. He answered slowly, without a sign of irritation, in the same cadenced voice as he had used for his firing-party orders—
“Hi swum the Irriwaddy in the night, as you know, for to take the town of Lungtungpen, nakid an’ without fear. Hand where I was at Ahmed Kheyl you know, and four bloomin’ Pathans know too. But that was summat to do, an’ didn’t think o’ dyin’. Now I’m sick to go ’Ome—go ’Ome—go ’Ome! No, I ain’t mammy-sick, because my uncle brung me up, but I’m sick for London again; sick for the sounds of ’er, an’ the sights of ’er, and the stinks of ’er; orange peel and hasphalte an’ gas comin’ in over Vaux’all Bridge. Sick for the rail goin’ down to Box’Ill, with your gal on your knee an’ a new clay pipe in your face. That, an’ the Stran’ lights where you knows ev’ry one, an’ the Copper that takes you up is a old friend that tuk you up before, when you was a little, smitchy boy lying loose ’tween the Temple an’ the Dark Harches. No bloomin’ guard-mountin’, no bloomin’ rotten-stone, nor khaki, an’ yourself your own master with a gal to take an’ see the Humaners practicin’ a-hookin’ dead corpses out of the Serpentine o’ Sundays. An’ I lef’ all that for to serve the Widder beyond the seas, where there ain’t no women and there ain’t no liquor worth ’avin’, and there ain’t nothin’ to see, nor do, nor say, nor feel, nor think. Lord love you, Stanley Orth’ris, but you’re a bigger bloomin’ fool than the rest o’ the reg’ment and Mulvaney wired together! There’s the Widder sittin’ at ’Ome with a gold crownd on ’er ’ead; and ’ere am Hi, Stanley Orth’ris, the Widder’s property, a rottin’ FOOL!”
His voice rose at the end of the sentence, and he wound up with a six-shot Anglo-Vernacular oath. Mulvaney said nothing, but looked at me as if he expected that I could bring peace to poor Ortheris’ troubled brain.
I remembered once at Rawal Pindi having seen a man, nearly mad with drink, sobered by being made a fool of. Some regiments may know what I mean. I hoped that we might slake off Ortheris in the same way, though he was perfectly sober. So I said—