Then the Elephant's Child sat down most hard and sudden; but first he was careful to say 'Thank you' to the Bi-Coloured-Python-Rock-Snake; and next he was kind to his poor pulled nose, and wrapped it all up in cool banana leaves, and hung it in the great grey-green, greasy Limpopo to cool.
'What are you doing that for?' said the Bi-Coloured-Python-Rock-Snake.
''Scuse me,' said the Elephant's Child, 'but my nose is badly out of shape, and I am waiting for it to shrink.'
'Then you will have to wait a long time,' said the Bi-Coloured-Python-Rock-Snake. 'Some people do not know what is good for them.'
The Elephant's Child sat there for three days waiting for his nose to shrink. But it never grew any shorter, and, besides, it made him squint. For, O Best Beloved, you will see and understand that the Crocodile had pulled it out into a really truly trunk same as all Elephants have to-day.
This is the Elephant's Child having his nose pulled by the Crocodile. He is much surprised and astonished and hurt, and he is talking through his nose and saying, 'Led go! You are hurtig be!' He is pulling very hard, and so is the Crocodile; but the Bi-Coloured-Python-Rock-Snake is hurrying through the water to help the Elephant's Child. All that black stuff is the banks of the great grey-green, greasy Limpopo River (but I am not allowed to paint these pictures), and the bottly-tree with the twisty roots and the eight leaves is one of the fever-trees that grow there.
Underneath the truly picture are shadows of African animals walking into an African ark. There are two lions, two ostriches, two oxen, two camels, two sheep, and two other things that look like rats, but I think they are rock-rabbits. They don't mean anything. I put them in because I thought they looked pretty. They would look very fine if I were allowed to paint them.
At the end of the third day a fly came and stung him on the shoulder, and before he knew what he was doing he lifted up his trunk and hit that fly dead with the end of it.