And Pau Amma, deep down below, answered, 'Once a day and once a night I go out to look for my food. Once a day and once a night I return. Leave me alone.'
Then the Eldest Magician said, 'Listen, Pau Amma. When you go out from your cave the waters of the Sea pour down into Pusat Tasek, and all the beaches of all the islands are left bare, and the little fish die, and Raja Moyang Kaban, the King of the Elephants, his legs are made muddy. When you come back and sit in Pusat Tasek, the waters of the Sea rise, and half the little islands are drowned, and the Man's house is flooded, and Raja Abdullah, the King of the Crocodiles, his mouth is filled with the salt water.
Then Pau Amma, deep down below, laughed and said, 'I did not know I was so important. Henceforward I will go out seven times a day, and the waters shall never be still.'
And the Eldest Magician said, 'I cannot make you play the play you were meant to play, Pau Amma, because you escaped me at the Very Beginning; but if you are not afraid, come up and we will talk about it.'
'I am not afraid,' said Pau Amma, and he rose to the top of the sea in the moonlight. There was nobody in the world so big as Pau Amma—for he was the King Crab of all Crabs. Not a common Crab, but a King Crab. One side of his great shell touched the beach at Sarawak; the other touched the beach at Pahang; and he was taller than the smoke of three volcanoes! As he rose up through the branches of the Wonderful Tree he tore off one of the great twin-fruits—the magic double-kernelled nuts that make people young,—and the little girl-daughter saw it bobbing alongside the canoe, and pulled it in and began to pick out the soft eyes of it with her little golden scissors.
'Now,' said the Magician, 'make a Magic, Pau Amma, to show that you are really important.'
Pau Amma rolled his eyes and waved his legs, but he could only stir up the Sea, because, though he was a King Crab, he was nothing more than a Crab, and the Eldest Magician laughed.
This is the picture of Pau Amma the Crab rising out of the sea as tall as the smoke of three volcanoes. I haven't drawn the three volcanoes, because Pau Amma was so big. Pau Amma is trying to make a Magic, but he is only a silly old King Crab, and so he can't do anything. You can see he is all legs and claws and empty hollow shell. The canoe is the canoe that the Man and the Girl Daughter and the Eldest Magician sailed from the Perak river in. The sea is all black and bobbly, because Pau Amma has just risen up out of Pusat Tasek. Pusat Tasek is underneath, so I haven't drawn it. The Man is waving his curvy kris-knife at Pau Amma. The Little Girl Daughter is sitting quietly in the middle of the canoe. She knows she is quite safe with her Daddy. The Eldest Magician is standing up at the other end of the canoe beginning to make a Magic. He has left his magic throne on the beach, and he has taken off his clothes so as not to get wet, and he has left the Magic Cloud behind too, so as not to tip the boat over. The thing that looks like another little canoe outside the real canoe is called an outrigger. It is a piece of wood tied to sticks, and it prevents the canoe from being tipped over. The canoe is made out of one piece of wood, and there is a paddle at one end of it.
'You are not so important after all, Pau Amma,' he said. 'Now, let me try,' and he made a Magic with his left hand—with just the little finger of his left hand—and—lo and behold, Best Beloved, Pau Amma's hard, blue-green-black shell fell off him as a husk falls off a cocoa-nut, and Pau Amma was left all soft—soft as the little crabs that you sometimes find on the beach, Best Beloved.