Before I left I did my best to set the patch alight, but the grass was too green. Some fine summer day, however, if the wind is favourable, a file of old newspapers and a box of matches will make clear the mystery of Bubbling Well Road.
‘THE CITY OF DREADFUL NIGHT’
[Footnote: Copyright, 1891, by MACMILLAN & Co.]
The dense wet heat that hung over the face of land, like a blanket, prevented all hope of sleep in the first instance. The cicalas helped the heat; and the yelling jackals the cicalas. It was impossible to sit still in the dark, empty, echoing house and watch the punkah beat the dead air. So, at ten o’clock of the night, I set my walking-stick on end in the middle of the garden, and waited to see how it would fall. It pointed directly down the moonlit road that leads to the City of Dreadful Night. The sound of its fall disturbed a hare. She limped from her form and ran across to a disused Mahomedan burial-ground, where the jawless skulls and rough-butted shank-bones, heartlessly exposed by the July rains, glimmered like mother o’ pearl on the rain-channelled soil. The heated air and the heavy earth had driven the very dead upward for coolness’ sake. The hare limped on; snuffed curiously at a fragment of a smoke-stained lamp-shard, and died out, in the shadow of a clump of tamarisk trees.
The mat-weaver’s hut under the lee of the Hindu temple was full of sleeping men who lay like sheeted corpses. Overhead blazed the unwinking eye of the Moon. Darkness gives at least a false impression of coolness. It was hard not to believe that the flood of light from above was warm. Not so hot as the Sun, but still sickly warm, and heating the heavy air beyond what was our due. Straight as a bar of polished steel ran the road to the City of Dreadful Night; and on either side of the road lay corpses disposed on beds in fantastic attitudes—one hundred and seventy bodies of men. Some shrouded all in white with bound-up mouths; some naked and black as ebony in the strong light; and one—that lay face upwards with dropped jaw, far away from the others—silvery white and ashen gray.
‘A leper asleep; and the remainder wearied coolies, servants, small shopkeepers, and drivers from the hackstand hard by. The scene—a main approach to Lahore city, and the night a warm one in August.’ This was all that there was to be seen; but by no means all that one could see. The witchery of the moonlight was everywhere; and the world was horribly changed. The long line of the naked dead, flanked by the rigid silver statue, was not pleasant to look upon. It was made up of men alone. Were the womenkind, then, forced to sleep in the shelter of the stifling mud-huts as best they might? The fretful wail of a child from a low mud-roof answered the question. Where the children are the mothers must be also to look after them. They need care on these sweltering nights. A black little bullet-head peeped over the coping, and a thin—a painfully thin—brown leg was slid over on to the gutter pipe. There was a sharp clink of glass bracelets; a woman’s arm showed for an instant above the parapet, twined itself round the lean little neck, and the child was dragged back, protesting, to the shelter of the bedstead. His thin, high-pitched shriek died out in the thick air almost as soon as it was raised; for even the children of the soil found it too hot to weep.
More corpses; more stretches of moonlit, white road, a string of sleeping camels at rest by the wayside; a vision of scudding jackals; ekka-ponies asleep—the harness still on their backs, and the brass-studded country carts, winking in the moonlight—and again more corpses. Wherever a grain cart atilt, a tree trunk, a sawn log, a couple of bamboos and a few handfuls of thatch cast a shadow, the ground is covered with them. They lie—some face downwards, arms folded, in the dust; some with clasped hands flung up above their heads; some curled up dog-wise; some thrown like limp gunny-bags over the side of the grain carts; and some bowed with their brows on their knees in the full glare of the Moon. It would be a comfort if they were only given to snoring; but they are not, and the likeness to corpses is unbroken in all respects save one. The lean dogs snuff at them and turn away. Here and there a tiny child lies on his father’s bedstead, and a protecting arm is thrown round it in every instance. But, for the most part, the children sleep with their mothers on the house-tops. Yellow-skinned white-toothed pariahs are not to be trusted within reach of brown bodies.
A stifling hot blast from the mouth of the Delhi Gate nearly ends my resolution of entering the City of Dreadful Night at this hour. It is a compound of all evil savours, animal and vegetable, that a walled city can brew in a day and a night. The temperature within the motionless groves of plantain and orange-trees outside the city walls seems chilly by comparison. Heaven help all sick persons and young children within the city to-night! The high house-walls are still radiating heat savagely, and from obscure side gullies fetid breezes eddy that ought to poison a buffalo. But the buffaloes do not heed. A drove of them are parading the vacant main street; stopping now and then to lay their ponderous muzzles against the closed shutters of a grain-dealer’s shops and to blow thereon like grampuses.
Then silence follows—the silence that is full of the night noises of a great city. A stringed instrument of some kind is just, and only just, audible. High overhead some one throws open a window, and the rattle of the wood-work echoes down the empty street. On one of the roofs, a hookah is in full blast; and the men are talking softly as the pipe gutters. A little farther on, the noise of conversation is more distinct. A slit of light shows itself between the sliding shutters of a shop. Inside, a stubble-bearded, weary-eyed trader is balancing his account-books among the bales of cotton prints that surround him. Three sheeted figures bear him company, and throw in a remark from time to time. First he makes an entry, then a remark; then passes the back of his hand across his streaming forehead. The heat in the built-in street is fearful. Inside the shops it must be almost unendurable. But the work goes on steadily; entry, guttural growl, and uplifted hand-stroke succeeding each other with the precision of clock-work.