Plain Tales from the Hills

by Rudyard Kipling

The band struck up as the squadrons filed off the troughs and the men slipped their feet out of the stirrups and chaffed each other. The sun was just setting in a big, hot bed of red cloud, and the road to the Civil Lines seemed to run straight into the sun's eye. There was a little dot on the road. It grew and grew till it showed as a horse, with a sort of gridiron thing on his back. The red cloud glared through the bars of the gridiron. Some of the troopers shaded their eyes with their hands and said:—“What the mischief as that there 'orse got on 'im!”

In another minute they heard a neigh that every soul—horse and man—in the Regiment knew, and saw, heading straight towards the Band, the dead Drum-Horse of the White Hussars!

On his withers banged and bumped the kettle-drums draped in crape, and on his back, very stiff and soldierly, sat a bare-headed skeleton.

The band stopped playing, and, for a moment, there was a hush.

Then some one in E troop—men said it was the Troop-Sergeant-Major—swung his horse round and yelled. No one can account exactly for what happened afterwards; but it seems that, at least, one man in each troop set an example of panic, and the rest followed like sheep. The horses that had barely put their muzzles into the trough's reared and capered; but, as soon as the Band broke, which it did when the ghost of the Drum-Horse was about a furlong distant, all hooves followed suit, and the clatter of the stampede—quite different from the orderly throb and roar of a movement on parade, or the rough horse-play of watering in camp—made them only more terrified. They felt that the men on their backs were afraid of something. When horses once know THAT, all is over except the butchery.

Troop after troop turned from the troughs and ran—anywhere, and everywhere—like spit quicksilver. It was a most extraordinary spectacle, for men and horses were in all stages of easiness, and the carbine-buckets flopping against their sides urged the horses on. Men were shouting and cursing, and trying to pull clear of the Band which was being chased by the Drum-Horse whose rider had fallen forward and seemed to be spurring for a wager.

The Colonel had gone over to the Mess for a drink. Most of the officers were with him, and the Subaltern of the Day was preparing to go down to the lines, and receive the watering reports from the Troop-Sergeant Majors. When “Take me to London again” stopped, after twenty bars, every one in the Mess said:—“What on earth has happened?” A minute later, they heard unmilitary noises, and saw, far across the plain, the White Hussars scattered, and broken, and flying.

The Colonel was speechless with rage, for he thought that the Regiment had risen against him or was unanimously drunk. The Band, a disorganized mob, tore past, and at it's heels labored the Drum-Horse—the dead and buried Drum-Horse—with the jolting, clattering skeleton. Hogan-Yale whispered softly to Martyn:—“No wire will stand that treatment,” and the Band, which had doubled like a hare, came back again. But the rest of the Regiment was gone, was rioting all over the Province, for the dusk had shut in and each man was howling to his neighbor that the Drum-Horse was on his flank. Troop-Horses are far too tenderly treated as a rule. They can, on emergencies, do a great deal, even with seventeen stone on their backs. As the troopers found out.

How long this panic lasted I cannot say. I believe that when the moon rose the men saw they had nothing to fear, and, by twos and threes and half-troops, crept back into Cantonments very much ashamed of themselves. Meantime, the Drum-Horse, disgusted at his treatment by old friends, pulled up, wheeled round, and trotted up to the Mess verandah-steps for bread. No one liked to run; but no one cared to go forward till the Colonel made a movement and laid hold of the skeleton's foot. The Band had halted some distance away, and now came back slowly. The Colonel called it, individually and collectively, every evil name that occurred to him at the time; for he had set his hand on the bosom of the Drum-Horse and found flesh and blood. Then he beat the kettle-drums with his clenched fist, and discovered that they were but made of silvered paper and bamboo. Next, still swearing, he tried to drag the skeleton out of the saddle, but found that it had been wired into the cantle. The sight of the Colonel, with his arms round the skeleton's pelvis and his knee in the old Drum-Horse's stomach, was striking. Not to say amusing. He worried the thing off in a minute or two, and threw it down on the ground, saying to the Band:—“Here, you curs, that's what you're afraid of.” The skeleton did not look pretty in the twilight. The Band-Sergeant seemed to recognize it, for he began to chuckle and choke. “Shall I take it away, sir?” said the Band-Sergeant. “Yes,” said the Colonel, “take it to Hell, and ride there yourselves!”

The Band-Sergeant saluted, hoisted the skeleton across his saddle-bow, and led off to the stables. Then the Colonel began to make inquiries for the rest of the Regiment, and the language he used was wonderful. He would disband the Regiment—he would court-martial every soul in it—he would not command such a set of rabble, and so on, and so on. As the men dropped in, his language grew wilder, until at last it exceeded the utmost limits of free speech allowed even to a Colonel of Horse.