“You have. He’s been dreaming about them.”
“We met Tisdall on Dowhead when we were in the donkey-cart this morning. P’r’aps that’s what put it into his head.”
“Oh! Now you aren’t going to frighten the child into fits with your silly tales, and the master know nothing about it. If ever I catch you again,” etc.
A child of six was telling himself stories as he lay in bed. It was a new power, and he kept it a secret. A month before it had occurred to him to carry on a nursery tale left unfinished by his mother, and he was delighted to find the tale as it came out of his own head just as surprising as though he were listening to it “all new from the beginning.” There was a prince in that tale, and he killed dragons, but only for one night. Ever afterwards Georgie dubbed himself prince, pasha, giant-killer, and all the rest (you see, he could not tell any one, for fear of being laughed at), and his tales faded gradually into dreamland, where adventures were so many that he could not recall the half of them. They all began in the same way, or, as Georgie explained to the shadows of the night-light, there was “the same starting-off place”—a pile of brushwood stacked somewhere near a beach; and round this pile Georgie found himself running races with little boys and girls. These ended, ships ran high up the dry land and opened into cardboard boxes; or gilt-and-green iron railings that surrounded beautiful gardens turned all soft and could be walked through and overthrown so long as he remembered it was only a dream. He could never hold that knowledge more than a few seconds ere things became real, and instead of pushing down houses full of grown-up people (a just revenge), he sat miserably upon gigantic door-steps trying to sing the multiplication-table up to four times six.
The princess of his tales was a person of wonderful beauty (she came from the old illustrated edition of Grimm, now out of print), and as she always applauded Georgie’s valour among the dragons and buffaloes, he gave her the two finest names he had ever heard in his life—Annie and Louise, pronounced “Annieanlouise.” When the dreams swamped the stories, she would change into one of the little girls round the brushwood-pile, still keeping her title and crown. She saw Georgie drown once in a dream-sea by the beach (it was the day after he had been taken to bathe in a real sea by his nurse); and he said as he sank: “Poor Annieanlouise! She’ll be sorry for me now!” But “Annieanlouise,” walking slowly on the beach, called, “‘Ha! ha!’ said the duck, laughing,” which to a waking mind might not seem to bear on the situation. It consoled Georgie at once, and must have been some kind of spell, for it raised the bottom of the deep, and he waded out with a twelve-inch flower-pot on each foot. As he was strictly forbidden to meddle with flower-pots in real life, he felt triumphantly wicked.
The movements of the grown-ups, whom Georgie tolerated, but did not pretend to understand, removed his world, when he was seven years old, to a place called “Oxford-on-a-visit. “Here were huge buildings surrounded by vast prairies, with streets of infinite length, and, above all, something called the “buttery,” which Georgie was dying to see, because he knew it must be greasy, and therefore delightful. He perceived how correct were his judgments when his nurse led him through a stone arch into the presence of an enormously fat man, who asked him if he would like some, bread and cheese. Georgie was used to eat all round the clock, so he took what “buttery” gave him, and would have taken some brown liquid called “auditale” but that his nurse led him away to an afternoon performance of a thing called “Pepper’s Ghost.” This was intensely thrilling. People’s heads came off and flew all over the stage, and skeletons danced bone by bone, while Mr. Pepper himself, beyond question a man of the worst, waved his arms and flapped a long gown, and in a deep bass voice (Georgie had never heard a man sing before) told of his sorrows unspeakable. Some grown-up or other tried to explain that the illusion was made with mirrors, and that there was no need to be frightened. Georgie did not know what illusions were, but he did know that a mirror was the looking-glass with the ivory handle on his mother’s dressing-table. Therefore the “grown-up” was “just saying things” after the distressing custom of “grown-ups,” and Georgie cast about for amusement between scenes. Next to him sat a little girl dressed all in black, her hair combed off her forehead exactly like the girl in the book called “Alice in Wonderland,” which had been given him on his last birthday. The little girl looked at Georgie, and Georgie looked at her. There seemed to be no need of any further introduction.
“I’ve got a cut on my thumb,” said he. It was the first work of his first real knife, a savage triangular hack, and he esteemed it a most valuable possession.
“I’m tho thorry!” she lisped. “Let me look pleathe.”
“There’s a di-ack-lum plaster on, but it’s all raw under,” Georgie answered, complying.
“Dothent it hurt?”—her grey eyes were full of pity and interest.