We’re talking nonsense. Come along to a theatre.”
CHAPTER VI
“And you may lead a thousand men,
Nor ever draw the rein,
But ere ye lead the Faery Queen
’Twill burst your heart in twain.”
He has slipped his foot from the stirrup-bar,
The bridle from his hand,
And he is bound by hand and foot
To the Queen o’ Faery-land.
Sir Hoggie and the Fairies.
Some weeks later, on a very foggy Sunday, Dick was returning across the Park to his studio. “This,” he said, “is evidently the thrashing that Torp meant. It hurts more than I expected; but the Queen can do no wrong; and she certainly has some notion of drawing.”
He had just finished a Sunday visit to Maisie,—always under the green eyes of the red-haired impressionist girl, whom he learned to hate at sight,—and was tingling with a keen sense of shame. Sunday after Sunday, putting on his best clothes, he had walked over to the untidy house north of the Park, first to see Maisie’s pictures, and then to criticise and advise upon them as he realised that they were productions on which advice would not be wasted. Sunday after Sunday, and his love grew with each visit, he had been compelled to cram his heart back from between his lips when it prompted him to kiss Maisie several times and very much indeed. Sunday after Sunday, the head above the heart had warned him that Maisie was not yet attainable, and that it would be better to talk as connectedly as possible upon the mysteries of the craft that was all in all to her. Therefore it was his fate to endure weekly torture in the studio built out over the clammy back garden of a frail stuffy little villa where nothing was ever in its right place and nobody every called,—to endure and to watch Maisie moving to and fro with the teacups. He abhorred tea, but, since it gave him a little longer time in her presence, he drank it devoutly, and the red-haired girl sat in an untidy heap and eyed him without speaking. She was always watching him.
Once, and only once, when she had left the studio, Maisie showed him an album that held a few poor cuttings from provincial papers,—the briefest of hurried notes on some of her pictures sent to outlying exhibitions. Dick stooped and kissed the paint-smudged thumb on the open page. “Oh, my love, my love,” he muttered, “do you value these things? Chuck ’em into the waste-paper basket!”
“Not till I get something better,” said Maisie, shutting the book.
Then Dick, moved by no respect for his public and a very deep regard for the maiden, did deliberately propose, in order to secure more of these coveted cuttings, that he should paint a picture which Maisie should sign.
“That’s childish,” said Maisie, “and I didn’t think it of you. It must be my work. Mine,—mine,—mine!”
“Go and design decorative medallions for rich brewers’ houses. You are thoroughly good at that.” Dick was sick and savage.