The Joss doesn't get so many sticks burnt under his nose as he used to; that's a sign of ill-luck, as sure as Death. He's all brown, too, and no one ever attends to him. That's the Memsahib's work, I know; because, when Tsin-ling tried to burn gilt paper before him, she said it was a waste of money, and, if he kept a stick burning very slowly, the Joss wouldn't know the difference. So now we've got the sticks mixed with a lot of glue, and they take half-an-hour longer to burn, and smell stinky. Let alone the smell of the room by itself. No business can get on if they try that sort of thing.
The Joss doesn't like it. I can see that. Late at night, sometimes, he turns all sorts of queer colors—blue and green and red—just as he used to do when old Fung-Tching was alive; and he rolls his eyes and stamps his feet like a devil.
I don't know why I don't leave the place and smoke quietly in a little room of my own in the bazar. Most like, Tsin-ling would kill me if I went away—he draws my sixty rupees now—and besides, it's so much trouble, and I've grown to be very fond of the Gate. It's not much to look at. Not what it was in the old man's time, but I couldn't leave it. I've seen so many come in and out. And I've seen so many die here on the mats that I should be afraid of dying in the open now. I've seen some things that people would call strange enough; but nothing is strange when you're on the Black Smoke, except the Black Smoke. And if it was, it wouldn't matter.
Fung-Tching used to be very particular about his people, and never got in any one who'd give trouble by dying messy and such. But the nephew isn't half so careful. He tells everywhere that he keeps a “first-chop” house. Never tries to get men in quietly, and make them comfortable like Fung-Tching did. That's why the Gate is getting a little bit more known than it used to be. Among the niggers of course. The nephew daren't get a white, or, for matter of that, a mixed skin into the place. He has to keep us three of course—me and the Memsahib and the other Eurasian. We're fixtures.
But he wouldn't give us credit for a pipeful—not for anything.
One of these days, I hope, I shall die in the Gate. The Persian and the Madras man are terrible shaky now. They've got a boy to light their pipes for them. I always do that myself. Most like, I shall see them carried out before me. I don't think I shall ever outlive the Memsahib or Tsin-ling. Women last longer than men at the Black-Smoke, and Tsin-ling has a deal of the old man's blood in him, though he DOES smoke cheap stuff. The bazar-woman knew when she was going two days before her time; and SHE died on a clean mat with a nicely wadded pillow, and the old man hung up her pipe just above the Joss. He was always fond of her, I fancy. But he took her bangles just the same.
I should like to die like the bazar-woman—on a clean, cool mat with a pipe of good stuff between my lips. When I feel I'm going, I shall ask Tsin-ling for them, and he can draw my sixty rupees a month, fresh and fresh, as long as he pleases, and watch the black and red dragons have their last big fight together; and then....
Well, it doesn't matter. Nothing matters much to me—only I wished Tsin-ling wouldn't put bran into the Black Smoke.