“My name is Marie Louise.”
“Moll is enough.”
And Moll she was thenceforth.
The understanding of Mamise’s task was easier than its performance. Pafflow sent the rivets to her fast and fleet, and they were red-hot. The first one passed her and struck Sutton. His language blistered. The second sizzled against her hip. The third landed in the pail with a pleasant clink, but she was so slow in getting her tongs about it, and fitting it into its place, that it was too cold for use. This threw her into a state of hopelessness. She was ready to resign.
“I think I’d better go back to crocheting,” she sighed.
Sutton gave her a playful shove that almost sent her off the platform:
“Nah, you don’t, Moll. You made me chase Snotty off the job, and you’re goin’ t’rough wit’ it. You ain’t doin’ no worse ’n I done meself when I started rivetin’. Cheese! but I spoiled so much work I got me tail kicked offen me a dozen times!”
This was politer language than some that he used. His conversation was interspersed with words that no one prints. They scorched Mamise’s ears like red-hot rivets at first, but she learned to accept them as mere emphasis. And, after all, blunt Anglo-Saxon never did any harm that Latin paraphrase could prevent.
The main thing was Sutton’s rough kindliness, his splendid efficiency, and his infinite capacity for taking pains with each rivet-head, hammering it home, then taking up his pneumatic chipping-tool to trim it neat. That is the genius and the glory of the artisan, to perfect each detail ad unguem, like a poet truing up a sonnet.