Charity did not want a picture of herself, but she went down to get rid of Miss Havender politely and to recommend her to friends of greater passion for their own likenesses. Miss Havender was a forward young person and launched at once into a defense of moving pictures.
“Oh, I admire the movies immensely,” Charity interposed. “We had some of them in the hospitals abroad. If you could have seen that dear Charlie Chaplin convulse a whole ward of battered soldiers and make them forget their pain and their anxieties! He was more of a nurse than a hundred of us. If he isn't a benefactor, I don't know who is. Oh, I admire the movies, but I'd rather see them than be them, you know.
“Still, an idea has just occurred to me. You know I'm terribly in need of a pile of money.”
Miss Havender looked about her and smiled.
“Oh, I don't mean for myself. I have far too much, but for the soldiers. I want something that will bring in a big sum. It occurs to me that if a lot of us got up a story and acted it ourselves, it would be tremendously interesting to—well, to ourselves. And our friends would flock to see it. Amateur performances are ghastly from an artistic standpoint, but they're great fun.
“It just struck me that if we got up a play and had a cast made up of Mr. Jim Dyckman and Tom Duane and Winnie Nicolls and Miss Bettany and the young Stowe Webbs and Mrs. Neff and people like that it would be dreadfully bad art, but much more amusing than if we had all the stars in the world—Mr. Drew and his daughter and his niece Miss Barrymore and her brothers, and Miss Anglin and Miss Bates or Miss Adams or anybody like that. Don't you think so? Or what do you think? Could it be done, or has it been—or what about it?”
Miss Havender gasped. She saw new vistas of business opening before her.
“Yes, it has been done in a small way, and it was great fun, as you say; but it would have been more fun if it hadn't been so crude. What you would need would be a director who was not an amateur. Now, our director is marvelous—Mr. Ferriday. He's the Belasco of the photoplays. He's as great as Griffith. He takes his art like a priest. If you had him you could do wonders.”
“Then we must have him, by all means,” said Charity, smiling a little at the gleam in Miss Havender's eyes. She had a feeling that Miss Havender had a deep, personal interest in Mr. Ferriday. Miss Havender had; most of the women in his environs had. In the first place, he was powerful and could increase or diminish or check salaries. He distributed places and patronage with a royal prerogative. But he was hungry for praise and suffered from the lack of social prestige granted “the new art.”
Miss Havender seconded Charity's motion with enthusiasm. After a long conference it was agreed that Miss Havender should broach the matter to the great Mr. Ferriday while Charity recruited actors and authors.