Zada was suffocated with rage at the possibility. She always believed implicitly in the worst things she could think of. If Peter Cheever dared do such a thing! And of course he would! Well, she would just find out!
She threw a lonely wineglass at the fern-dish and smashed a decanter. Then she pushed off the table about a hundred dollars' worth of chinaware, and kicked her chair over backward. She had been famous for her back-kick in her public dancing-days.
She howled to her maid and went into her wardrobe with both hands. She acted like a windmill in a dress-shop. Finally she came upon what she was looking for—the most ladylike theater-gown that ever combined magnificence with dazzling respectability.
She made up her face like a lady's—it took some paint to do that. Meanwhile, her maid was telephoning speculators for a box. Zada arrived before Cheever and Charity did. She waited a long time, haughtily indifferent to the admiration she and her gown were achieving. At last she was punished and rewarded, revenged, and destroyed by the sight of Cheever coming down the aisle with Charity. They had to pause to let a fat couple rise, and they paused, facing Zada. Cheever caught her eye and halted, petrified, long enough for Charity to sit down, look up at him, follow the line of his gaze, and catch a full blast of Zada's beauty and of the fierce look she fastened on Cheever. Charity's eyes ran back on the almost visible clothes-line of that taut gaze and found Cheever wilting with several kinds of shame.
He sat down glum and scarlet, and Charity's heart began to throb. A second glance told her who Zada was. She had seen the woman often when Zada had danced in the theaters and the hotel ballrooms.
Charity found herself thinking that she was not Cheever's wife, but only a poor relation—by marriage. The worst of it was that she was not dressed for the theater. The gown she wore was exquisite in its place, but it was dull and informal and it gave her no help in the ordeal she was suddenly submitted to. Her hair had not been coiffed by the high-elbowed artist with the waving-tongs. Her brains were not marceled for a beauty-contest with her rival. She was at her worst and Zada was at her supreme.
Zada was not entirely unknown to Charity. She had not been able to escape all the gossip that linked Cheever with her, but she had naturally heard little of it, and then only from people of the sort who run to their friends with all the bad news they can collect. They are easily discredited.
Charity had spent so many bad hours wondering at her husband's indifference and had heard his name linked with so many names that she had temporized with the situation. Cheever was of the sort that looks at every woman with desire, or looks as if he looked so. The wives of such men grow calloused or quit them.
Charity had not quit Cheever. She had hardly dreamed of it. She had not outgrown being hurt. Her slow wrath had not begun to manifest itself. This crushing humiliation smote her from a clear sky.
She was not ready for it. She did not know what to do. She only knew, by long training, that she must not do what she first wanted to do. She had been taught from childhood what Zada was only now trying to learn.