Thousands of men all over the country were falling in love with Kedzie. Who had a better right to than her husband? Unconsciously his resentments against her fell away. His heart swelled with such plenitude of forgiveness that he might in time have overlooked the money she lent him. It was not a disgrace to accept money from a genius of her candle-power.

For a long while he had been afraid that she would telegraph him for funds, or descend on him in Chicago and bring a heavy baggage of necessities. Now he was no longer afraid of that. He was afraid that if he called on her in New York she might not remember him.

He had heard of the real and the alleged salaries of moving-picture stars, and he assumed that Kedzie must be as well paid as she was well advertised. He did not know of the measly little hundred dollars a week she was bound down to by her contract. If he had known he would have rejoiced, because one hundred dollars a week was about four times more than Gilfoyle had ever earned.

Of course Gilfoyle resolved to go to New York. Of course he started to telegraph his wife and found the telegram hard to write. Then he began a long letter and found it harder to write. And of course he finally decided to surprise her. He resigned his job. His resignation was accepted with humiliating cordiality.

Of course he took the Twentieth Century Limited to New York. It was more expensive, but it was quicker; and what did a few dollars matter, now that he was the husband of such an earner? He had unwittingly hitched his wagon to a star, and now he would take a ride through heaven. He wrote a poem or two to that effect, and the train-wheels inspired his prosody.

He dreamed of an ideal life in which he should loll upon a sofa of ease, thrumming his lyre, while his wife devoted herself to her career outside.

Where would Horace and Virgil have been if they had not had their expenses paid by old Mr. Maecenas? Since Mrs. Gilfoyle could afford to be a patroness, let her patronage begin at home. Her reward would be beyond price, for Gilfoyle decided to perpetuate her fame in powerful rhyme far outlasting the celluloid in which she was writing her name now.

Celluloid is perishable indeed, and very inflammable. Gilfoyle did not know that the Hyperfilm studio had burned to the ground before he saw Kedzie's picture in Chicago. But he blithely left that city to its fate and sped eastward.