AND NOW DESIGN EMERGED, A WOMAN STOOD REVEALED

Forbes watched one of the clothes-horses stripped of its encumbrances.

From somewhere in the chaos two long-gloved arms came up; they were strangely shapely; they made motions like swan's necks dipping into water-lilies. A garland of fog came away, and a head on a throat appeared, a bust set upon a heap of drapery. Then the opera-cloak slipped off into the usher's hands. And now design emerged, a woman stood revealed. The head and throat were seen to be attached to a scroll of shoulders, and a figure like a column rose from the floor—strangely columnar it was, and so slender that there was merely the slightest inslope of waist, merely the slightest entasis at the hips.

In other periods only portions of the human outline have been followed by the costume. The natural lines have been broken, perverted, and caricatured by balloon sleeves, huge farthingales, or paniers like a jennet's pack-saddles, the incredible Botocudo ideal of the bustle, corsets like hour-glasses, concentric hoops about the legs, with pantalets coquetting inanely at the ankles—the almost impossible facts of fashion.

Just then the costume was hardly more of a disguise than the gold or bronze powder smeared on by those who pose as statues at the vaudevilles. Inside their outer wraps women were rather wall-papering themselves than draping their forms. It was saner so, and decenter, too, perhaps.

And yet Forbes stared at this woman as Adam must have stared at Eve when the scales were off his eyes. Even her hair was almost all her own, and it was coiled and parted with simple grace. Her head-dress was something bizarre—not a tiara of diamonds, but a black crest with a pearl or two studding it—the iridescent breast of a lyre-bird it was, though he did not know. A cord of pearls was flung around her throat. At the peak of each shoulder her gown began, but the two elements did not conjoin till just in time above the breast, and just a little too late at the back.

The fabric clung lovingly to the loins, thighs, and calves, so closely that an inverted V must be cut between the ankles to make walking possible at all. There was a train of a fish-tail sort, a little twitching afterthought. And so this woman-shape came forth from a shapelessness as Aphrodite from the sea-foam.

Forbes was so startled that he felt all the chagrin of one who is caught staring at a woman just returned from the surf in a wet bathing-suit. He shifted his eyes from her. When he looked back she had vanished into the crimson cavern of the box.