“He will shoot,” declared Speedy positively. “He knows by now that you took me. He saw you take the others. He will wait for you and shoot.”
“We will find some way to avoid that.”
“How?”
“When these two have become my friends, just as you have become my friend, I will take all three of you back to the shelters. You can find Graypate for me and tell him that I am not as ugly as I look.”
“I don’t think you’re ugly,” denied Speedy.
The picture Pander got along with that gave him the weirdest sensation of pleasure. It was of a vague, shadowy but distorted body with a clear human face.
The new prisoners were female. Pander knew it without being told because they were daintier than Speedy and had the warm, sweet smell of females. That meant complications. Maybe they were mere children, and maybe they lived together in the shelter, but he was permitting none of that while they were in his charge. Pander might be outlandish by other standards but he had a certain primness. Forthwith he cut another and smaller cave for Speedy and himself.
Neither of the girls saw him for two days. Keeping well out of their sight, he let Speedy take them food, talk to them, prepare them for the shape of the thing to come. On the third day he presented himself for inspection at a distance. Despite forewarnings they went sheet-white, clung together, but uttered no distressing sounds. He played his harp a little while, withdrew, came back in the evening and played for them again.
Encouraged by Speedy’s constant and self-assured flow of propaganda, one of them grasped a tentacle-tip next day. What came along the nerves was not a picture so much as an ache, a desire, a childish yearning. Pander backed out of the cave, found wood, spent the whole night using the sleepy Speedy as a model, and fashioned the wood into a tiny, jointed semblance of a human being. He was no sculptor, but he possessed a natural delicacy of touch, and the poet in him ran through his limbs and expressed itself in the model. Making a thorough job of it, he clothed it in Terrestrial fashion, colored its face, fixed upon its features the pleasure-grimace which humans call a smile.
He gave her the doll the moment she awakened in the morning. She took it eagerly, hungrily, with wide, glad eyes. Hugging it to her unformed bosom, she crooned over it—and he knew that the strange emptiness within her was gone.