But the voice of a school boy rallies the ranks—
Play up! Play up! and—Play the Game!
His own voice shook a little on the last line and he was a trifle amused at his emotionalism. He tried to bring the moment sanely back to the commonplace. "Corking for a song, Top Step. I'll hammer out some chords ... doesn't need much." He looked again through the strangely charged atmosphere of the quiet room, at the three big children. Jimsy King was on his feet, shaken out of the serene insolence of his young stoicism, his hands opening and shutting, swallowing hard, and Honor, the boy-girl, Jimsy's sturdy Skipper, was crying, frankly, unashamed, unaware, the tears welling up out of her wide eyes, rolling down her bright cheeks. Only Carter Van Meter sat as before, a little withdrawn, a little aloof, in the shadow.
CHAPTER IV
When they told Marcia Van Meter (Mrs. Horace Flack) that her little boy would always be lame, that not one of the great surgeon-wizards on either side of the Atlantic—not all the king's horses and all the king's men could ever weight or wrench or force the small, thin left leg down to the length of the right, she vowed to herself that she would make it up to him. She was a pretty thing, transparently frail and ethereal-looking, who had always projected herself passionately into the lives of those about her—her father's and mother's—the young husband's who had died soon after her son was born—and now her boy's. While he was less than ten years old it seemed to her that she compassed it; if he could not race and run with his contemporaries he rode the smartest of ponies and drove clever little traps; if he might not join in the rough sports out of doors he had a houseful of brilliant mechanical toys; he lived like a little Prince—like a little American Prince with a magic bottomless purse at his command. But when he left his little boyhood behind she discovered her futility; she discovered the small, pitiful purchasing power of money, after all. She could not buy him bodily strength and beauty; she could not buy him fellowship in the world of boys; he was forever looking out at it, wistfully, disdainfully, bitterly, through his plate glass window.
She spent herself untiringly for him,—playmates, gifts, tutors, journeys. Her happiest moments were those in which he said, "Mother, I'd like one of those wireless jiggers,"—or a new saddle-horse, or a new roadster—and she was able to answer, "Dearest, I'll get it for you! Mother'll get it for you to-morrow!"
But the days when she could spell omnipotence for him were fading away. He wanted now, increasingly, things beyond her gift. He was a clever boy, proud, poised. He learned early to wear a mask of indifference about his lameness, to affect a coolness for sports which came, eventually, to be genuine. He studied easily and well; he could talk with a brilliancy beyond his years. He learned—astonishingly, at his age—to get his deepest satisfactions from creature comforts—his quietly elegant clothes, his food, his surroundings. Mrs. Van Meter had high hopes of the move to Los Angeles; he was to be benefited, body and brain. She was a little anxious at finding they had moved into a neighborhood of boys and girls; Carter was happier with older people, but he seemed to like these lively, robust creatures surprisingly. Weeks, months, a year, went by. Carter, less than a year older than Jimsy King but two years ahead of him in his studies, was doing some special work at the University of Southern California, but his time was practically his own—to spend with Honor and Jimsy. Honor and Jimsy showed, each of them, the imprint of their association with him. They had come to care more for the things he held high ... books ... theaters ... dinners at the Crafts Alexandria ... Grand Opera records on the victrola ... more careful dress.
"Carter has really done a great deal for those children," Mildred Lorimer told her husband, complacently.